Nyx is a very unique goddess. She has the ability to bring sleep or death. Even Zeus feared Nyx because she was older and stronger than him. She is the only goddess he’s ever known to fear.
She is often described as a winged or riding in a chariot across the sky, shrouded in mist with stars and the night unveiling behind her. She resides in the western part of Hades, where she and her daughter Hemera (Day) pass each other at sunrise and sunset.
Nyx is not a personification of evil in Greek mythology. She’s never spoken of having done anything more ‘evil’ than Zeus himself in any mythology. Yet, it is her mysterious and dark nature, that lead her to be viewed more villainous than she is.
In Greek mythology, Nyx married Erebus – the God of darkness. Nyx and Erebus had Hemera (Day) and Aither (Light). Hemera is literally Nyx’s opposite. When Nyx brings the dark veil of the night over the world, she is chased away each morning by Hemera.
Curiously, Nyx also created her own dark spirits including the Fates, Sleep, Death, Strife, and Pain. Other of Nyx’s children include Geras, Moros, Nemesis, the Keres and the Oneiroi.
Nyx appears in many important ancient greek poems. In the fragments of poetry Nyx is the first of all in creation. Before there was anything, there was darkness or ‘night’ and it was here that Nyx came to be. She is often portrayed in symbolism as a moon or stars due to her ending the daytime and bringing the night.
Nyx is considered either be helpful or harmful: she brings sleep and relief, or the opposite- she can bring pain and death.
Welcome to the world of the Cosa Nostradamus, where magic crackles on every corner, and not every person you meet is human….
If you’ve lost something of value, and you can’t go to the police, you need a Retriever. And if that item is magical?
You need Wren Valere. An exceptional thief – with exceptional Talent.
Normally, Wren loves her job. But some clients are worse than others, and some jobs just scream trouble from the start. And with this one, involving a real estate mogul and a stolen spell, she and her business partner Sergei may have gotten into more than can handle alone…
But some secrets shouldn’t stay buried. No matter the cost.
Wren – a self-proclaimed thief with a high level of magical abilities and a distrust of the Mage Council, the organisation she rightfully belongs because of her unique and strong Talent. Wren prefers to work with her partner Sergei who negotiates jobs that require Wren’s particular level of skill and keeps the distance between Wren and her clients.
When a magical-infused protection stone is stolen from a wealthy and commanding businessman, Sergei and Wren take the job to determine how the stone was stolen and steal it back. To this end, Wren and Sergei quickly become embroiled in the dealings of the Mage Council and the mysterious group known as the Silence.
Wren successfully finds and steals back the protection stone but finds a darker side to the magic, how it serves to protect the building and the businessman which makes her question her own morality.
Review
Staying Dead was an intriguing urban fantasy with a mystery at its heart. Gillman creates unique and strong characters which are human and engaging. A solid first novel to a series.
Conclusion
A unique urban fantasy that’s sure to please fans of paranormal, supernatural urban fantasies and dark fantasy. Highly recommended!
The Ankou (Breton), Ankow (Cornish) or Angau (Welsh) from Celtic legend most commonly occurs in Brittany. Here you can still spot the Ankou haunting many of the churches and cathedrals. What is the Ankou? It’s defiant remnant of Pagan influence that had survived hidden among the stone-work of Christian buildings.
The Ankou haunts the graveyard and he is the last soul to die in the village before the stroke of midnight that year. Doomed to stay another year on earth – he acts as guardian of the graveyard – until another soul takes his place the following year.
The Ankou is described as a tall man dressed in black who is very thin or skeletal looking and has white hair kept under a wide brimmed hat. He is carries a scythe and he either pushes a wheelbarrow or rides a rickety cart that squeaks when it moves. The horse-drawn cart may be drawn by two horse – one is emaciated while the other is fat.
The Ankou is both the harbinger of death and also the collector of souls.
Nat Drozdova is desperate to save a life. Doctors can do little for her cancer-ridden mother, who insists there is only one cure—and that Nat must visit a skyscraper in Manhattan to get it.
Amid a snow-locked city, inside a sleek glass-walled office, Nat makes her plea and is whisked into a terrifying new world. For the skyscraper holds a hungry winter goddess who has the power to cure her mother…if Nat finds a stolen object of great power.
Now Nat must travel with a razor-wielding assassin across an American continent brimming with terror, wonder, and hungry divinities with every reason to consume a young woman. For her ailing mother is indeed suffering no ordinary illness, and Nat Drozdova is no ordinary girl. Blood calls to blood, magic to magic, and a daughter may indeed save what she loves…
Spring’s Arcana follows protagonist Nat Drozdova as she begins a journey and bargain with Baba Yaga to save her dying mother’s life. In return, she must begin a journey to retrieve the items her mother stole and hid carefully across the United States – including the Heart of a God – stolen from Baba Yaga herself, who in turn wrenched it from Dimitri Konesti – the god of thieves.
For Nat, all is new and incomprehensible until she begins to realise her mother lied to her for her entire life and kept her innocent of the knowledge of divinities – including her own mother being the divinity of Spring.
Baba Yaga sends Dimitri to both protect and watch Nat Drozdova as she grows into her power, becoming Spring even as her mother sickens and fades in a hospice and Nat tries to find the items she needs to save her mother. But will Baba Yaga keep her word? Is Nat’s own mother more of a threat to her than the Dead God whose heart she stole?
Review
An intriguing and well-crafted folklore and mythology inspired first book in a duology. Spring’s Arcana is a fascinating read that is authentic and enthralling. The world-building and development of the characters is high quality and SanitCrow delivers a novel that is dark, mysterious and leaves you hungering for more.
Conclusion
Highly recommended for fans of reimagining of folklore, legends and mythology. This is a great urban dark fantasy that is a supernatural thriller and a dark delight. Can’t wait for the second instalment. A must-read!
** This is my personal opinion and does not reflect any judging decisions **
The Fear Gorta means Famine Man or Féar Gortach and refers to the Hungry or Famine Grass in Irish folklore.
The Famine or Hungry Man is a skeletal wraith and a harbinger of death. Féar Gortach is a folklore tale of a cursed patch of land where if you tread, you are doomed to die of starvation no matter how much you eat.
From Cork to Kilkenny and Galway to Connemara, tales of people losing their way on short routes across fields and being caught by the Hungry Grass.
A young man walking home on a sunny day, crosses through the field and is found days later, confuse, not knowing where he is and starving. He is taken home but no amount of nursing or food can save him from starving to death. Others are so overwhelmed by the touch of the cursed grass that they die from hunger where they stand. These victims of the Famine are also predatory, seeking others out to drag others onto the grass. The only protection is to carry a crust of bread in your pocket – but even that may not be enough to save you.
The Hungry Grass and the Hungry Man have two origins but the outcome facing either is much the same. Féar Gortach relates to one of the most dreadful eras in Irish history.
The Origins: The Irish Potato Fammine
It has many names: the Irish Great Hunger, The Great Famine and the Irish Potato Famine. The despair, death and devastation suffered in Ireland for almost a decade at the hands of British tyranny. Class discrimination, religious intolerance, enforced labour, deliberate starvation and forced exile were all endured under the dark skies and harsh winter after harsh winter.
British penal laws meant that parliamentary representatives were primarily British nationals and their male descendants were granted landed estates in Ireland. Irish Catholics who had previously had property had it confiscated and were forbidden from owning or leasing land or voting. The penal law was largely repealed before 1830, however Irish Catholics had to settle for leasing land back from the British landowners.
The potato was only introduced into Ireland in the 18th century but it soon became a staple food because of it was hardy enough to survive the Irish weather and it was a cheap product that went far for a family.
Unfortunately, potato crops became infested with an airborne fungus called phytophthorainfestans, also known as potato blight. It soon became a countrywide disaster.
British Corn Laws were still in existence and fixed at an artificially high tariff on imports to protect British corn prices and keep them in control of the market. A petition was put forward for Queen Victoria to repeal the high tax – which did happen – but too late. This, combined with a high level of produce being exported out of Ireland by British landowners and merchants resulted in a food shortage of catastrophic proportions brought Ireland to its knees.
Charles Trevelyan and Black ‘47
Attempts at temporary relief measures were mismanaged and local committees would be unruly and incapable of the organisation required to put these measures in place successfully. Just when it was thought that things couldn’t get any worse, it did,
Charles Trevelyan was assigned the relief effort and he would become one of the most hated men in Irish history. Trevelyan was a civil servant with no compassion, empathy or connection to the Irish people he was tasked to assist.
His methods at creating employment, bringing food to the table and restarting the Irish economy were drawn out, complicated and ultimately, failed. Trevelyan and the British government were operating on the principle that the blight would be short lived and that nature would run its course.
The first year of the potato blight and food shortages was dire, but the Irish kept going with their small import of corn, selling off the little livestock they owned and borrowing money from brutal loaners.
The British Prime Minister Robert Peel had supplied Ireland with its corn imports but following his resignation in 1846, Trevelyan took complete control and cut off Ireland from further imports so the Irish weren’t relying on British support. Despite his procedures to develop a working economy in Ireland had failed.
The collapse of social systems and infrastructure and absence of food, Trevelyan sent soldiers to try to install order. One of the most brutal winters hit Ireland and under Trevelyan half a million Irish were out in the blizzards building roads. Men, women, children – barley clothed, starving and freezing – died where they stood.
1847 become known as ‘Black 47’ – the worst year of the Great Hunger. The population was emaciated and desperately trying to work on Trevelyan’s enterprises for almost no wages or food. Children went without any sustenance as their parents needed whatever food they had to work on road-building.
Disease ravished Ireland and most died from typhus, dysentery and the black fever rather than malnutrition. Finally, all of Trevelyan’s projects were closed down and soup kitchens and charity introduced but far too slowly and on too small a scale. In 1847 the third potato harvest failed.
The Rise of Fear Gorta & Féar Gortach
Death was the common and the dead were tossed into carts and tossed into makeshift graves without so much as a blessing and their souls condemned to Purgatory.
All over Ireland hundreds of mass graves were dug, and these Famine Graveyards as they became known were originally un-consecrated, although in later years many became memorialised and recognised as consecrated ground.
Others remained buried in cold, unhallowed ground and over the top of these mass graves the grass grew sparsely and it was cursed. It was hungry. From this situation, the Hungry Grass and the emaciated figure known as the Hungry Man emerged.
Supernatural origins and Lore
The most common lore behind the Féar Gortach is that is occurs as a result of fairy magic. Found in fields and cursed by the fairies of the Unseelie Court who use dark magic.
Whether as a source of famine or fairy folk, to stand on the Hungry Grass equals death. Slowly, starvation begins and the sufferer descends into madness. They eat and eat but no amount of food will ever satiate their hunger. Ultimately, the victim withers away and dies.
The Fear Gorta, or Hungry Man is not a man at all, but a Fae being. He’s associated with famine because his dreadful skeletal appearance, gaunt and haggard. His sallow skin is stretched thinly over an emaciated body. His clothing is made of tatters and rags and he looks like the walking dead. His appearance during times of great hardship and Famine. The Fear Gorta can be malevolent or benevolent, depending on his mood and the welcome he receives. He is known to call house to house begging and if he is treated kindly, he has the ability to bestow good blessings and wealth on those he deems worthy. Those who are unkind will feel his wrath and suffer abject poverty, famine and death.
There are no certain ways to defend yourself against either the Fear Gorta or Féar Gortach, but there are wardings and protections to carry a crust of bread in your pocket which may protect from the starvation effects of stepping on the Hungry Grass. It is believed that bread crumbs spread on the cursed grass will reverse the curse on those recently afflicted. Ultimately, salting and burning the field will bring closure to the cursed.
The Fear Gorta is a different issue. He is a solitary Fae without a master. There is no protection from his power. Decimation and despair will wake him and his withered, skeletal finger will point to his next victim.
Ereshkigal in Near Eastern mythology (Babylonian – Assyrian) was the goddess of the underworld, married to the war god Nergal.
Ereshkigal ruled over the Mesopotamian realm of death. She is Inanna’s sister, rival, or alter-ego as descriptions of her and her realm are found in the Sumerian hymn, The Descent of Inanna (available in English translation). This is the descent Inanna makes into Irkalla-Ereshkigal’s realm of death.
Ereshkigal is great and powerful and possesses power over life: has access to the Water of Life and is capable of resurrecting the dead.
She is a tempestuous, volatile and aggressive. She commands and compels the dead with her powers are invoked in necromantic spells from the magical papyri of Alexandria, Egypt.
An Akkadian hymn recounts the union of Ereshkigal and Nergal. Nergal was delegated to deliver food offerings to Ereshkigal and they unexpectedly fell passionately in love and she conceived. When Nergal returned to his home in the court of the spirits, Ereshkigal threatened the supreme authorities with an army of the raised dead to devour the living unless Nergal was sent back to her. Unless her “request” was granted, the dead would outnumber the living. No attempts were made to call her challenge and Nergal was allowed to return.
Inanna’s Descent to the Underworld
Ereshkigal plays a prominent role in the myth known as ‘Inanna’s Descent to the Underworld’ . Inanna is the Queen of Heaven and Ereshkigal’s younger sister. In the myth, Inanna journeyed to the Underworld to observe the funeral rites of Gugalanna, Ereshkigal’s husband. Although Inanna was allowed to pass through the seven gates of the Underworld, Ereshkigal instructed her gatekeeper, Neti, to remove a piece of clothing or jewelry from her sister as each gate was opened. This may be interpreted as the gradual removal of Inanna’s power as she progressed deeper into the realm belonging to her sister. Finally, when Inanna reached Ereshkigal’s throne room, she was completely naked and powerless. After the Annuna of the Dead passed judgment on her, Inanna was killed by Ereshkigal and her corpse hung from a hook on the wall. The gods succeeded in rescuing Inanna and removed her from the Underworld alive.
Origin: Sumerian
Manifestations: Ereshkigal may manifest as a woman but she may also appear with a lioness’ head on a woman’s body.
Attributes: Her scepter is a snake.
Consort: Nergal
Allies: Gestinana and Belit-Seri, Lady of the Desert, serve as Ereshkigal’s personal secretaries, writing down her decrees.
Animals: Snakes, scorpions, lions
Realm: Irkalla, realm of no return; realm of the dead.
Offerings: Made to the dead find their way to Ereshkigal.
A reluctant corporate assassin who is losing her edge, discovers fellow assassins are dying after killing high-value targets.When she botches a hit, her employers assign her such a target—a top scientist.
Love and loss cloud her judgment, and only following her code will help her survive.
Futuristic thriller from Karen Bayly.
Summary
I recently read the novelette Tesato’s Code by Australian speculative fiction author Karen Bayly.
The plot follows the protagonist Lily, an assassin for the massive conglomerate corporation that runs everything from medical sciences, domestic servants and the more secretive arm of the businesses of assassination. This futuristic world includes genetic manipulation, implant enhancements and keeps a tight rein on dissent or rebellions.
But assassins are being taken out by their own kind as the cooperation clamps down on rising rebellions within the ranks of its own and in the Free-Willers society. Lily comes face-to-face with secrets from her past and an astonishing future is revealed.
Review
Tesato’s Code had some fabulous world-building and it would have been fantastic if it were longer to better explore the history and intricacies of the world. Bayly writes a fine science fiction that is solidly written with individualised characters despite the conglomerate corporation’s attempt to make all its citizens subservient.
Conclusion
A recommended read for fans of dystopian science-fiction, thrillers, LGBTQIA and dark fiction. A great read!
Saturnalia in Aufleur is a time of topsy-turvy revels, of the world turned upside down. The city’s theatres produce an annual display of reversals and surprises. Women can transform into wolves. Even the rats are not what they seem.
Evie has travelled to Aufleur to uncover the city’s sinister secrets… but this newspaper reporter has secrets of her own.
As she befriends the dazzling cabaret performers of the mysterious Vittorina Royale theatre, she falls under the spell of their most charismatic celebrities: songbird Livilla and the Stagemaster Poet. Who is Garnet, and why is everyone so afraid of him? What are the secrets of the Creature Court? Evie thought she wanted to learn the truth, but now she just wants to get out of Aufleur alive.
If you enjoy intrigue, devastating plot twists, LGBT characters and sumptuous detail, you’ll adore this gaslamp fantasy novella inspired by Paris theatre, Ancient Rome and the Roaring 20s.
Review
I recently read prequel novella Cabaret of Monsters (Creature Court, #0.5) by Australian author Tansy Raynar Roberts.
The protagonist Evie is also known as the Storyteller and travels to Aufluer as a reporter the cover the fashionable and famous theatrical scene.
Evie is quickly embraced by the theatrical group run by the mysterious Stagemaster Poet at the Vitoria Royale theatre as the troupe prepares for the famous Aufleur Saturnalia plays. Evie has an ulterior motive for being in the Vitoria Royale as she discovers more about the man Garnet, the strange history of returned songbird Livilia. But Evie can’t help but learn to feel for the members of the troupe and her real reason for being in Aufleur causes internal conflict as she learns more about the Creature Court and its hold over the city.
Final Thoughts
A well-written dark Gaslamp novella set in a 1920s-esque era that is dark, mysterious and dangerous. A truly unique plot and well-crafted characters.
Conclusion
Highly recommended for fans of dark fantasy, Gaslamp themes, paranormal and supernatural tales set in an intoxicating 1920s style world.
Though he may be retired, Navajo Tribal Police Lieutenant Joe Leaphorn hasn’t lost his curiosity or his edge. He’s eager to help Sergeant Jim Chee and his fiancée Bernie Manuelito with their latest case—clearing an innocent kid accused of robbing a trading post.
Billy Tuve claims he received the precious diamond from a strange old man in the canyon. Could it be one of the gems that went missing in an epic plane crash decades earlier? Now that it may have resurfaced, it’s attracted dangerous strangers to the Navajo lands.
Proving Billy’s innocence won’t be easy. Leaphorn, Chee, and Manuelito must find the remains of a passenger who died in the crash—one of 172 lost souls whose remains were scattered across the magnificent tiered cliffs of the Grand Canyon.
But nature may prove their deadliest adversary. To find the proof they need, the detectives must battle a thunderous monsoon and a killer as they plunge deeper into the dark realm of the Hopi Lord of Death—the guardian of the underworld known as Skeleton Man.
Skeleton Man follows Sergeant Jim Chee and his fiancée Bernie Manuelito as these Navajo tribal police officers investigate Navajo robbery suspect Billy Tuve when he tries to pawn a large diamond from a decade old plane crash over the Grand Canyon. Tuve claims innocence and he received the diamond from a Skeleton Man in the canyons. Sergeant Chee consults retired Lieutenant Jim Leaphorn and the meaning behind the Skeleton Man – a Hopi legendary guardian of The Underworld. Determining if the Skeleton Man Tuve claims he met with and exchanged a knife for a a diamond is crucial to proving his innocence.
The case soon becomes dangerous when private investigators behave unlawfully and a race to recover the decades old remains of a passenger who travelled with diamonds encased and strapped to his wrist during the plane crash. His daughter – unrecognised by the family or company – may finally have her inheritance recognised if she can recover the remains of her father. As the monsoon storms gather above the Grand Canyon and rains threaten to flood the canyon, the answer lies with the mysterious figure of the Skeleton Man.
Final Thoughts
Skeleton Man is a well-written and fascinating historical mystery that combines crime and both Navajo and Hopi folklore and legends alongside a great sense of respect for the canyon landscape and the indigenous peoples who care and guard the land.
Conclusion
A great combination of mystery, history, crime and Navajo and Hopi folklore. A recommended read!
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