From the Blurb:
“She answered the Emperor’s call.
She arrived with her arts, her wits, and her only friend.
In victory, her world has turned to ash.
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?”
I admit to possessing a strong bias when I started reading Harrow the Ninth by New Zealand author Tamsyn Muir. I adored Gideon the Ninth, the first instalment in The Locked Tomb Trilogy and after such an extraordinary and unique beginning, I expected great things from Harrow the Ninth. I was not disappointed and the second instalment in The Locked Tomb Trilogy was surprising, complex and at times- perplexing. The highly-charged atmosphere of Gideon the Ninth could not be recreated and to avoid a pale replica, Harrow the Ninth makes its own impact.
Harrow the Ninth continues from events that concluded Gideon the Ninth. There are substantial time lapses, jumps both forward and backward as Harrowhark, the protagonist of this novel, battles the truth of her own madness and tries to master the powers of a lyctor before the Emperor Undying is hunted down by the vengeful ghosts of organisms, entire planets murdered during the first Resurrection. The reality for Harrowhark is that unreality is bleeding through into her daily existence and her teachers are either intent on her demise or indifferent about her survival. Harrowhark needs all of her wits and strength to survive the coming battle and as madness descends, she needs Gideon more than ever.
Harrow the Ninth is not a recreation of the concepts or style familiar in Gideon the Ninth. If looking for more of the same, it’s not found here. Instead, Harrow the Ninth is distinctly its own and refreshing for it.
Highly recommended. Brilliant characters, complexity and world-building continuing The Locked Tomb Trilogy. A great read!
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