Tag: paranormal

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Asylumfest Horror Convention

May Day Hills Historic Asylum

AsylumFest 2023 will be held October 27 – 29 in Mayday Hills located within Beechworth, Victoria.

Mayday Hills operated from 1867 to 1995 and was one of the largest mental health facilities in the state, with over 1200 patients and 500 staff at its peak. Today, it is a heritage site that hosts various cultural and artistic activities – including ghost and history tours and of course, AsylumFest!

This Halloween weekend, I’ll be appearing at Asylumfest horror convention held at the historicMayDay Hills Psychiatric Hospital in Beechworth, Victoria, Australia. I’ll be participating as an offical representative of the Australasian Horror Writer’s Association and competing in the live reading and judging for the May Day Hills Ghost story competition.

I’ll also be on a panel talking with Australian dark fiction authors Carol Ryles and Aaron Dries about the importance of diversity in New Horror, the emergence of more diverse characters, writer, actors and directors. The continued growth of diversity and representing traditionally marginalised voices is a strong movement that will hopefully continue to flourish. We’ll be talking our own horror works as well as those published in the past for more recently and where we think the world of New Horror is headed.

Hope to see all horror film and writing fans at the Traders Hall and check out the Australasian Horror Writers trade table. Also check out another exciting horror panel on The New Gothic!

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Slavic Folklore: Upiór

The Upiór is present in Slavic and Turkic folklore and resembles the vampire. The Upiór is depicted as a ravenous and insatiable creature with vampiric features. Belief in the Upiór may have spread across the Eurasian steppes through migrations with its origins in the regions surrounding the Volga River and the Pontic steppes.

An Upiór is created after the death of those who practised sorcery who undergo transformations in their graves and can assume animal forms. The Upiór is described as having an enlarged cranium and an elongated tail and also capable of flight.

Upiór can assume any form including human forms. Individuals under the sway of an Ubır are tormented by a ceaseless hunger and progressively become frail. An Upiór deprived of sustenance becomes aggressive and eventually driven to consume carrion and human blood.

Upiór are blamed for causing epidemic outbreaks, distress and madness in humans and animals.

Vampire Burials

In suspected Upiór cases, the grave is exhumed and nails driven into the coffin. This practice, reminiscent of contemporary vampire narratives, is widely regarded as effective.

In 2012, the discovery in Bulgaria of an 800-year-old skeleton with an iron rod stabbed through its chest, led to speculation of a vampire burial.

Upiór and Vampires

Immortality and Feeding off Life Essence:

The Upiór and the vampire both possess an insatiable hunger – whether blood, life essence, or energy. The Upiór is voracious and devours not only the flesh but also the life force of its victims leaving them weakened and dying. The vampire is also known for its hunger for human blood in order to prolong its existence.

Shape-shifting and Manipulation:

The Upiór is also a shape-shifter, which allows it to assume various forms including animals. Vampires are sometimes suggested to take the form of bats or wolves to enable them to blend into the night. This shared attribute with the Ubir suggests a link between folklore.

Dread and Vulnerability:

Both the Upiór and the vampire evoke a sense of dread and vulnerability in their victims. The ability of both Upiór and vampires to deceive the senses, blend with humanity and consume life energy strikes a common fear of violation that transcends cultural boundaries. The shared fear of deceitful danger hidden beneath a facade.

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Peripheral Visions

Publisher’s Description

Peripheral Visions is a unique, award-winning reference collection that includes all of Robert Hood’s 44 ghost stories to date, three of them especially written for this volume. These memorable tales display Hood’s uncanny ability to make the fantastic real, to embrace weirdness and create human characters whose lives – both inner and outer – haunted by mortality, are laid bare and revealed to be our own worst nightmares. Ranging from melancholy reflection on life and death, through disquieting tales of dark humour and vengeance, to chilling visions of ghostly apocalypse.

Hood’s stories are sure to draw you into a terrifying world that in the end is revealed to be irrefutably our own. Though many of these stories draw on the traditions of the past, they are far from traditional in approach.

As you turn each page remember this: not everything here is as it seems. There’s always something more, barely glimpsed, out there on the periphery.

Summary

I recently read the limited edition three volume collection Peripheral Visions: The Collected Ghost Stories by Australian horror author Robert Hood.

This limited edition collection spans forty years of Robert Hood’s ghost story writing with 44 tales covering six different themes of haunting in the horror genre. There are many brilliant stories within each section that focuses on a variety of themes including Haunted Places, Haunted Families, Haunted Minds, Haunted Youth, Haunted Vengeance and Haunted Realities. Some of my favourites included Haunted Places, Haunted Minds, Haunted Youth and Haunted Vengeance. The scope of aspects that Hood delves into in these stories includes the deeply psychological, historical and, at times, what felt like a deeply personal venture in the haunted mind.

Review

Peripheral Visions is a sweeping three volume collection of divided into themes on the horror genre of Haunting. There are some of the most unique, darkly humorous and chilling ghost stories I’ve ever had the pleasure to read. Hood delivers a masterclass in ghost stories with brilliant prose that keeps the pace of this three volume collection moving with a deft storyteller’s hand.

Conclusion

This was a fabulous, wide-ranging collection of ghost stories and hauntings by one of the best horror authors in the business. Highly recommended!

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Diversity Grants & Awards

I’m really excited to announce I’ve been nominated for the Ditmar Awards for Best New Talent and Best Novella for Bluebells – an LGBTQI, disability dystopian alternate history horror.

I’m a recipient of the 2023 Horror Writers Association Diversity Grants to allow me to continue research for my HWA mentorship project with Lee Murray. The final piece will be an alternate history, gothic horror, GBTQI, disability with Fae versus gangsters in 1920s Sydney.

It’s a great time to be writing with my heart, soul and passion. Very excited to see where diversity in horror and dark fantasy can take us!

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Anoka

Publisher’s Description

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives. With his debut horror collection, Cheyenne and Arapaho author Shane Hawk explores themes of family, grief, loneliness, and identity through the lens of indigenous life.

Summary

I was recently recommended to read Anoka: A Collection of Indigenous Horror from US author Shane Hawk.

While it is hard to choose favourites from this collection which spans so many real-world themes, societal marginalisation, stigma and indigenous horror themes, there were several stories that really resonated with me.

The opening story ‘Soilborne’ was dark tale that really plunged its claws into me. ‘Wounded’ was a journey into the darkness of a mind and family. ‘Transfigured’ was a striking Halloween story that proved the perfect ending to this collection of the dark, haunting and macabre.

Review

Anoka was a fantastic collection of indigenous horror where Hawk delivered a host of genuine characters, masterful storytelling and a series of dark, weird and haunting horror in a well-written psychological horror collection.

Conclusion

Highly recommended read for fans of horror, dark fiction and psychological horror. A must read!

** This is my personal opinion and does not reflect any judging decisions **

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Ditmar Award Nominations!!

I’m thrilled to announce I’m included in the 2022 Ditmar Awards Nominations. There is such a fabulous variety of works nominated this year.

Presentations will be held at Conflux Convention in September/October.

I’m nominated for Best New Talent and my LGBTQI dystopian alternate history novella Bluebells is nominated in Best Novella or Novelette.

Congratulations to all the nominees and can’t wait to celebrate everything Australian speculative fiction at Conflux.

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The Attic Tragedy

Publisher’s Description

Sylvie never called them ghosts, but that’s what they were—not that George ever saw them herself. The new girl, Sylvie, is like a creature from another time, with her old-fashioned leather satchel, her white cotton gloves and her head in the clouds. George watches her drift around the edge of the school playing fields, guided by inaudible voices.

When George stands up for Sylvie, beating back Tommy Payne and his gang of thugs, it brings her close to the ethereal stranger; though not as close as George would have liked. In the attic of Sylvie’s father’s antique shop, George’s scars will sing and her longing will drive them both toward a tragedy as veiled and inevitable as Sylvie’s whispering ghosts.

Summary

I recently read The Attic Tragedy by British-Australian author J. Ashley Smith.

The Attic Tragedy is short but powerful tale exploring coming-of-age and a gender diverse society that is unwilling to accept George, the protagonist for themselves. Only the strange, waif-like Sylvie who’s father owns an antique store befriends George. The allure of Sylvie is her seeming eternal sadness but acceptance of life and especially her claims to hear the voices of ghosts from the antique objects she touches.

Mesmerised by this different and dreamy girl, George’s requited love slowly turns sour as the years pass and Sylvie tries to be less like her true self while George embraces their own gender diversity. A bond forms between Sylvie’s father and George as they mourn the loss of the Sylvie they loved. In the end, George must confront the path Sylvie had chosen and finds themselves more and more of the periphery of her life while she has remained central to theirs.

Review

Ashley-Smith crafts a beautiful, sad but engrossing tale that resonates strongly with honesty and integrity. The eerie supernatural background to The Attic Tragedy brings a quality of otherness and a sense of belonging in a liminal space- the protagonist is neither one thing or the other. The object of their affection is interwoven into the supernatural fabric until – when pulled free from it – there is a sense of loss and especially identity. Slyvie is not the woman her father or the protagonist remember. Ashley-Smith tells a stunning tale of loss, memory, pain and coming-of-age amid a shifting society and as the protagonist finds the transformed Sylvie is more like a faded, ghost of who she was, the sense of loss is profound and far-reaching.

Conclusion

A short but stunning coming-of-age tale, a gothic delight with supernatural themes woven throughout and a profound and powerful read. Highly recommend!!

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Coyote Songs

Publisher’s Description

In this mosaic horror/crime novel, ghosts and old gods guide the hands of those caught up in a violent struggle to save the soul of the American southwest. A man tasked with shuttling children over the border believes the Virgin Mary is guiding him towards final justice. A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.

Summary

I recently read Coyote Songs by US author Gabino Iglesias after several recommendations and it did not disappoint.

Coyote Songs is a series of independent short stories that feature a family and the introduction of violence into their lives. The shattering of a child’s innocence with unexpected violence drives him to seek revenge. The mother becomes a symbolic portrait of vengeance incarnate and the devastation of a hopeful life. Intertwined is the coyote who assists the desperate to cross borders but becomes increasingly determined to fight back against the abuse of those he has aided to cross into a ‘better life’. The drive for vengeance and violence in both main story arcs intertwine in a compelling resolution.

Review

Coyote Songs was a masterpiece of a novel. The novel consists of a series of stories, often with interlinking characters and an overall story arcs that follows the noir theme of violence and struggle in a horrorscape of a city. Here, hope and revenge are intertwined in a gritty tale of a family’s drive towards increasing violence and revenge. Igleasias is a compelling storyteller and brings these worlds of crime and the supernatural into a thrilling novel.

Conclusion

A thrilling dark fiction combining gothic horror, ghosts, crime, gritty noir, politics and ancient gods. A fantastic and important read. Highly recommended!!

** This is my personal opinion and does not reflect any judging decisions **

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The Bridge

Publisher’s Description

Meera and her twin sister Kai are Mades—part human and part not—bred in the Blood Temple cult, which only the teenage Meera will survive. Racked with grief and guilt, she lives in hiding with her mysterious rescuer, Narn—part witch and part not—who has lost a sister too, a connection that follows them to Meera’s enrollment years later in a college Redress Program. There she is recruited by Regulars for a starring role in a notorious reading series and is soon the darling of the lit set, finally whole, finally free of the idea that she should have died so Kai could have lived. Maybe Meera can be re-made after all, her life redressed. But the Regulars are not all they seem and there is a price to pay for belonging to something that you don’t understand. Time is closing in on all Meera holds dear—she stands afraid, not just for but of herself, on the bridge between worlds—fearful of what waits on the other side and of the cost of knowing what she truly is.

Summary

The Bridge by J.S. Breukelaar is an dystopian alternate future – in a world like Australia and not. Similar to the protagonist Meera – part human and not. She is bereaved after the death of her twin sister Kai and suffers survivors guilt. In meeting the mysterious witch figure Narn, who knows more than she says about Meera but shares the loss of her own sister, a strong connection to forged.

Encouraged by the future offered placement in the Redress Program. Meera finally sees this chance to belong to the Regulars as an opportunity to set aside her past, the grief of losing Kai and finally start living her own life. But be careful what you wish for because all transformations come at a cost and this one might be higher than Meera is willing to pay.

Review

In The Bridge, Breukelaar writes a stunning combination of the fantastic, futuristic and the metaphorical. The division between fate and desire, hope and reality are twisted and spun into an elegant futuristic dystopian fairy tale.

Conclusion

For fans of modern and futuristic fairy tale and folklore retellings and reimagining, contemporary dark fantasy and dystopian settings. A highly recommended read!

** This is my personal opinion and does not reflect any judging decisions **

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The Salt-Black Tree

** I received an ARC for an honest review **

Publisher’s Description

Nat Drozdova has crossed half the continent in search of the stolen Dead God’s Heart, the only thing powerful enough to trade for her beautiful, voracious, dying mother’s life. Yet now she knows the secret of her own birth—and that she’s been lied to all her young life.

The road to the Heart ends at the Salt-Black Tree, but to find it Nat must pay a deadly price. Pursued by mouthless shadows hungry for the blood of new divinity as well as the razor-wielding god of thieves, Nat is on her own. Her journey leads through a wilderness of gods old and new, across a country as restless as its mortal inhabitants, and it’s too late to back out now.

…or accept the consequences of her own.

Summary

Blood may not always prevail. Magic might not always work. And the young Drozdova is faced with an impossible choice: Save her mother’s very existence…

I recently read The Salt-Black Tree(Dead God’s Heart, #2) by US dark fantasy and urban fantasy author Lilith Saintcrow.

The journey of Nat Drozdova continues but she now possesses Spring’s Arcana and is coming into her own Divinity. While she battles internally with the reality her mother has lied to her throughout her entire life, and that she was born simply to allow her mother to assume to divinity on American soil, Nat comes into her own power and makes her own decisions as she travels towards the Salt-Black Tree and whatever ending awaits her there.

She seeks the Dead God’s Heart but what she intends to do with it once she possesses it, she is yet to be sure. One thing she does know-Nat Drozdova is her own Divinity, and if that means battling her mother and Baba Yaga, she will do so.

Review

The Salt-Black Tree is the final instalment in the Dead God’s Heart duology.

Saintcrow’s writing is superb and she provides a thrilling and satisfying ending to her series. The plot is fast-paced while still being insightful to characters development and the detailed world-building. The comparisons to Neil Gaiman‘s American Gods, while relevant on the surface, Saintcrow’s duology blows them away with a darkness and ruthlessness in development and immigration of divinities and human belief which is fresh and bold. This finale is a masterpiece of talented writing while maintaining the integrity of the characters and the world building at the core of in this urban fantasy duology.

Conclusion

A highly recommended read for fans of urban fantasy, Russian folklore and world mythology. A thriller of an urban fantasy and a read!

** This is my personal opinion and does not reflect any judging decisions **