research, Short Fiction, Writing

Inuit legend of the Qallupilluk

I am always fascinated by First Nations legends and lore. One of my current research projects has focused on the Inuit legends of the Qallupilluk, monstrous female beings who lurk in the frozen waterways and beneath the ice sheets, snatching unwary children beneath the icy water.

My latest short story examines this legend from the perspective of an outsider, someone who is not of the Inuit, and to whom the legends are foreign, placing her and her child at risk.

events, Short Fiction, Writing

Bones Anthology Release


I am excited to announce the supernatural anthology Bones (Five Hundred Fiction Series, #4) published by Black Hare Press was released on 29th June, 2021.

Bones (Five Hundred Fiction Series, #4) is a an occult, voodoo themed anthology, features my own flash fiction story “The Bones of a Dead God”, inspired by Aztec history, ritual and archaeology. You can read more about the research behind my story here.

More details on how to purchase ebook, paperback or hardback copies of Bones (Five Hundred Fiction #4) can be found here.

Long Fiction, Writing

Reimagining Trickster lore & legend


My current work-in-progress novella explores trickster lores and legends in two different cultures, Old Icelandic and Australian First Nations.

I have a keen interest in Tricksters, and in this novella, I have been exploring two Trickster figures from very different cultural backgrounds: Loki from Old Norse legend and Crow, present in many Australian First Nations cultures.

The focus of the novella is on Loki his customary role of physical transformation which is also shared with Crow and, incidentally, many other Trickster figures like Coyote and Raven from North American First Nations among others.

This work-in-progress is not a retelling of any specific legends but is a reimagining inspired by the lore and legends surrounding the Trickster figures of Crow and Loki.

research, Short Fiction

Dark Legends of the Thunderbird

In writing a flash fiction story, I explored in the legendary Thunderbird, a powerful elemental being, found in many First Nations religions across North America.

The Thunderbird is a being found in many First Nations legends stretching from the desert plateaus and lands, the prairies and plains to the redwood forests and the Rocky Mountains. The Thunderbird is a powerful being, the beating of its wings makes the thunderclaps and gales, the silver of its eyes is the lightning. The Thunderbird also has an association with battle to many First Nations cultures, the bringer of storms both literal and metaphorical. I have a post here on the Thunderbird, or ‘Wakinyan’ in the Lakota-Sioux dialect.

As with any reimagining of a legendary being, I was conscious of cultural appropriation. My own reimagining of the Thunderbird, I focused on the connection between the prairie and desert landscapes, the reliance on the life-giving thunderstorms, and as a being invoked to protect land but also warriors and their horses.

reads, Recent Reads

Son of a Trickster

Publisher’s Description:

Meet Jared Martin: sixteen-year-old pot cookie dealer, smoker, drinker and son with the scariest mom ever. But Jared’s the pot dealer with a heart of gold–really. Compassionate, caring, and nurturing by nature, Jared’s determined to help hold his family together–whether that means supporting his dad’s new family with the proceeds from his baking or caring for his elderly neighbours. But when it comes to being cared and loved, Jared knows he can’t rely on his family. His only source of love and support was his flatulent pit bull Baby, but she’s dead. And then there’s the talking ravens and the black outs and his grandmother’s perpetual suspicion that he is not human, but the son of a trickster.


My Review:

Son of a Trickster (Trickster Trilogy, #1) by Canadian First Nations author Eden Robinson, a contemporary fantasy inspired by folktales and beliefs of several First Nations tribes in the Pacific Northwest Coast of North America and Canada.

The protagonist is Jared, a teenage boy struggling to find his place in the world, his self-destructive mother who, despite a fierce love for him, is often more a danger than a help. Jared has his own personal issues to fight and, despite caring for his elderly neighbour who offers what comfort his mother cannot, Jared is largely alone in his world.

The turmoil of Jared’s life begins to boil over when several strange experiences start occurring, ravens begin talking to him, and the lingering words of his maternal grandmother, insisting he is the son of a raven trickster. Struggling to hold his family together, his only money making venture (pot-dealing) is crushed, and desperate to keep his family afloat, Jared soon discovers his mother is more than he ever imagined as the supernatural world of Tricksters and those who oppose them seek him out.

Final Thoughts:

Son of Trickster is a fascinating exploration of Canadian First Nations culture with the ever-present backdrop of life in a small town. The sense of otherness caused from discrimination, whether it is racial or socioeconomic, adds lived heartache to the story.

My Conclusion?

A recommended read for anyone interested in Canadian First Nations cultures of the Pacific Northwest, the complex and quirky characters are delightful and bring the story alive with the uniqueness of each. A modern fable for growing up, finding strength and independence….with the added pressure of a Trickster heritage.

Short Fiction, Writing

Aztec Rituals & the God of Death

One of the most interesting folklore research I did recently involved the Aztec Empire in Mesoamerica. I have always been fascinated by the Aztec Empire and the many intriguing mythologies and my latest research was into the god of Underworld, Mictlantecuhtli. The death-god is often depicted in constant combat with the opposing force, the god of renewal Quetzalcoatl, the Feathered Serpent. The two gods are constantly locked in a fight for supremacy, the balance between life and death.

The Aztecs practised human sacrifice on a colossal scale in the late stages of the empire. Recent archaeological excavations in the sacred city of Tenochtitlan at the base of one of the largest pyramid temples, the Tempo Mayor, huge wooden racks of skulls were offerings to the gods of war and rain. The extreme numbers of suggested human sacrifices coincided with Aztec empire expansion, it was probably considered necessary to appease the gods who could provide battle success and the rains to grow crops and support an increasing population.

The Aztec Underworld or Mictlán was ruled by god Mictlantecuhtli. To the Aztecs, every soul no matter the privilege or poverty during life, would descend through the nine layers of Mictlán to face Mictlantecuhtli. Not surprisingly, worship of Mictlantecuhtli was important to all Aztecs and during the Aztec month of Tititl , the temple Tlalxicco conducted a specific ritual human sacrifice. A chosen sacrifice became the embodiment of Mictlantecuhtli and sacrificed at night to honour the god.

In my flash fiction story, I was inspired by the elaborate skeletal depictions of Mictlantecuhtli and the creation myth where Quetzalcoatl is deliberately delayed in the Underworld while searching for the bones of every creature destroyed in the previous world. The Aztecs, like many past civilisations, had a cyclic view of time rather than a linear one. Drawing on inspiration from depictions of Mictlantecuhtli adorned in carved bones or as a skeletal figure, my flash fiction story was set during the Aztec month of Tititl at night at the temple Tlalxicco. Here the ritual sacrifice gruesomely transforms the flesh embodiment of Mictlantecuhtli into a skeletal representation of the death-god before sunrise.

events, Short Fiction, Writing

Showcasing Horror: Dark Fiction Coming Soon

Continuing the celebration of all things women in horror, I’ve got a horror/dark fiction short story set in the Australian Alps inspired by the wendigo legend, case of a cannibalistic monster or a monstrous human? Coming soon in Gluttony (Seven Deadly Sins, #6) by Black Hare Press.

Here’s a sneaky peek at my story “The Monster” and the folklore and legend of the wendigo. Enjoy with dark delight!

Short Fiction, Writing

Forthcoming: Paranormal Anthology

Bones (Five Hundred Fiction, #4)

Pleased to announce my flash fiction story “The Bones of a Dead God” will feature in Bones (Five Hundred Fiction, #4) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by dark pagan themes. My story “The Bones of a Dead God” is inspired by Aztec ritual and legends.

Release dates and how to purchase a copy of the Bones (Five Hundred Fiction, #4) will be updated when available. Keep an eye on my publications page here.

Long Fiction, Writing

Fantasy novella & mythic parallels

I recently finished a novella inspired from my initial research for my latest novel draft Ragnarok Dreaming into Norse mythology but also Australian Aboriginal legends. On the surface, there might seem little in common between the Viking legends and those of the oldest continuous culture on the planet. The purpose of the novella was not to re-tell any stories or legends, because these are not my ancestry nor mine to tell, instead, I wanted to explore the common elements shared between them. The themes that unite all humanity across time and place.

In this, I was drawn as I often am, to the fascinating Trickster figures in legends and stories throughout the world. In Norse mythology, Loki is the Trickster figure and protagonist of the novella relocated into a cosmos inspired by Australian dreaming stories. The Trickster figure who aids Loki is Wahn, the Crow in many Aboriginal legends. The novella was a re-imagining of the parallels and opposites in legends and myth, expanding on what was interesting research for Ragnarok Dreaming.

Recent Reads

Catching Teller Crow

The YA supernatural mystery, Catching Teller Crow by Ambelin and Ezekiel Kwaymullina, explores Australian history, indigenous legends and cultural understanding through the characters of three young Aboriginal women.Catching Teller Crow follows Beth Teller, a recently deceased Aboriginal girl who has remained as a ghost, trying to stop the grief consuming her father by urging him to continue his work as a detective. Only seen by her father, Beth convinces him to investigate a recent fire and subsequent murders in a small, rural town in the Australian outback.Early in the investigation into a fire and murder at a children’s home, Beth meets Isobel Catching, a young Aboriginal woman found wandering in the wilderness after the fire. But Catching can also see Beth and soon the mysterious connection between Catching and the children’s home take a dark twist as Catching recounts her strange tale of survival and escape from another dimension inhabited by beings from Australian legend. To endure and survive the strange events, Catching relies on Crow, a shape-shifting young Aboriginal woman. Through hearing Catching’s tale and solving the mystery at the heart of the town, Beth finds the closure she needs to move onto the spirit world and Beth’s father gains the strength he needs to continue living in a world without his daughter.Catching Teller Crow is a magnificent novel combining history, sorrow, hope and culture to craft a unique mystery and ghost story for modern Australia. Highly recommended!