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The Void

Publisher’s Description

A dark tale of self-discovery that will sweep you into a world of swords, secrets, snark, and sapphic love.

Kiera never fit in. Not on her aunt’s farm, not at her boring job, not with her ex-girlfriends. But she hasn’t given up hope of finding that elusive place to belong.

A freak storm leaves her stranded, alone in the office.

When something flashes past the upstairs window, the sarcastic voice in her head, Jiminy, insists it’s a figment of her imagination. But Kiera knows she didn’t imagine the flying pirate ship.

Or the dragon.

If she jumps on board—into a hidden world above the clouds—there’ll be no coming back. Is she ready for the quest of a lifetime, and the dark secrets beginning to unfurl?

Void is the first book in a dark steampunk fantasy series that skillfully blends thrilling adventure, snarky humour, and a sapphic slow-burn romance.


Summary

I recently read The Void (The Fang Ripper Series, #1) a steampunk fantasy novella by Australian author Neen Cohen.

The Void follows protagonist Kiera who lives in present-day Brisbane with allusions made early to her mental instability or repressed memories and self. Kiera lives a ‘normal’ life but the arrival of an otherworldly storm pulls Kiera from what she’d imagined was reality and into a new one of Skyan. Is this the strange connection she’d always felt was wrong with her?

Kiera’s journey into learning her true past begins when Blue crashes his sky ship to earth and the attractive but feminine Zarzy is injured battling an earth-magic dragon. To save Zarzy and prevent the darkly powerful Void from drvouring everything, Kiera must learn quickly as Blue takes the sky ship into Skyran with its floating cities, war and dangerous political machinations that threaten not just Blue and Zarzy who Kiera is undeniably attracted to. Into this complex battles of dragons and opposing invested interests, Kiera begins to learns her own truth.

Review

Cohen introduces a new take on urban fantasy with energetic prose and a mild sapphic romance. There’s a lot to unpack in this first novella and the word-building is fascinating and much more detail to follow. This is a genre-blending series of urban fantasy, steampunk and adventure. Cohen keeps it fast-paced with intriguing characters and innovative concepts.

Conclusion

A recommended new dark fantasy with mild sapphic romance, dragons, airships in a fresh take on urban fantasy!

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Diversity Grants & Awards

I’m really excited to announce I’ve been nominated for the Ditmar Awards for Best New Talent and Best Novella for Bluebells – an LGBTQI, disability dystopian alternate history horror.

I’m a recipient of the 2023 Horror Writers Association Diversity Grants to allow me to continue research for my HWA mentorship project with Lee Murray. The final piece will be an alternate history, gothic horror, GBTQI, disability with Fae versus gangsters in 1920s Sydney.

It’s a great time to be writing with my heart, soul and passion. Very excited to see where diversity in horror and dark fantasy can take us!

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Anoka

Publisher’s Description

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives. With his debut horror collection, Cheyenne and Arapaho author Shane Hawk explores themes of family, grief, loneliness, and identity through the lens of indigenous life.


Summary

I was recently recommended to read Anoka: A Collection of Indigenous Horror from US author Shane Hawk.

While it is hard to choose favourites from this collection which spans so many real-world themes, societal marginalisation, stigma and indigenous horror themes, there were several stories that really resonated with me.

The opening story ‘Soilborne’ was dark tale that really plunged its claws into me. ‘Wounded’ was a journey into the darkness of a mind and family. ‘Transfigured’ was a striking Halloween story that proved the perfect ending to this collection of the dark, haunting and macabre.

Review

Anoka was a fantastic collection of indigenous horror where Hawk delivered a host of genuine characters, masterful storytelling and a series of dark, weird and haunting horror in a well-written psychological horror collection.

Conclusion

Highly recommended read for fans of horror, dark fiction and psychological horror. A must read!


** This is my personal opinion and does not reflect any judging decisions **

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Appearances: Canberra Geek Markets

I’ll be at the Canberra Geek Markets this Saturday 29 April at EPIC, Canberra.

My stall is located next to the Canberra Speculative Fiction Guild (CSFG) stall

Come along and check out comics, books, media and merchandise for all your inner Geek desires!

I’m selling and signing books and have some cool merchandise all available at sale prices!

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Black Cranes

*** I received a free copy in return for an honest review ****

Publisher’s Description

Almond-eyed celestial, the filial daughter, the perfect wife.

Quiet, submissive, demure.

In Black Cranes, Southeast Asian writers of horror both embrace and reject these traditional roles in a unique collection of stories which dissect their experiences of ‘otherness,’ be it in the colour of their skin, the angle of their cheekbones, the things they dare to write, or the places they have made for themselves in the world. Black Cranes is a dark and intimate exploration of what it is to be a perpetual outsider.


Review

I was thrilled to read and review Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn.

This is a beautiful and rare collection of speculative fiction tales from women of southeast Asian descent writing about the culture where women are supposed to be quiet, unheard and remain in the shadows. Black Cranes brings these voices, cultures, folklores and legends into the open and shines a light on the powerful women of Southeast Asia.

Final Thoughts

There are so many different and wonderful tales in Black Cranes that I found it difficult to choose my stand-out favourites.

Some of my favourite stories were “The Genetic Alchemist’s;s Daughter” by Elaine Cuyegkeng, , “Kapre: a love Story”, by Ron Cupeco, “Vanilla Rice”, and “Little Worm” by Geneve Flynn.

Conclusion

An absolutely stunning, beautiful and powerful collection of tales about women emerging from the shadows of their cultures. A simply stunning collection!

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Bluebells Book Launch

A very late posting of the offical launch of Bluebells on October 2nd, 2022 at Conflux 16 Convention in Canberra. The book launch which had been delayed due to my health issues and extended hospital stays. So this was time to celebrate!

@Cat Sparks

We kicked off the launch with Zachary Ashford giving a great introduction to my writing career and focus so far: I’m an LGBTQI and disability author of numerous short stories in the horror and dark fantasy genres. Bluebells was my debut novella.

Zachary had a couple of questions on what inspired me to write Bluebells. The answers ranged from climate change, an interest in WWI, vampires and the Black Death and ‘Spanish fever’. Alternate history had always fascinated me and the question in my mind became what if the world had fallen into a post-apocalyptic state during WWI? What if the future we know, never happened?

@Cat Sparks

Zachary invited me to do a quick reading from Bluebells. I chose a passage near the end where the vampire Nicolas confronts and debates his humanity alongside his vampirism.

@Cat Sparks

A book signing and purchase option for copies of Bluebells followed and I had a lovely time meeting new and old friends while I signed copies.

@Cat Sparks
@Cat Sparks
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Conflux 16 2022 Convention

A very late post on the October 2022 Conflux 16 Speculative Fiction Convention held in Canberra. Aside from being an invited panelist for 4 seperate panels, I ran my first Dealers Table for the four days and officially launched Bluebells.

I was also an invited panellist on 4 panels – each exciting to engage with an audience and discuss the theme in question with other likeminded writers.

“Queering Fiction” was a wonderful discussion about how authors create characters with a LGBTQI identity – or how authors like Sam Hawke create an entire world where sexuality is fluid and accepted.

“Re-imagining Horror in a Pandemic” was a great lineup of panelists discussing how the pandemic affected them as writers but also how the wider public changed perceptions and fear became a driver of society. For horror writers, fear is the driver of a story. Many ideas were exchanged on whether horror writing would become more or less popular and certainly Fantasy seemed to be the main genre read during pandemic lockdowns.

“Including Disability in Fiction” was such an important panel that like the queer community, characters with disabilities are often absent, stereotyped or in the background of a storyline. This panel explored what writers living with disabilities experience and want to see more of in fiction and from their own writing.

“Climate Change: Past and Future” was a fascinating panel exploring the emergence and importance of climate fiction in publishing scene. Discussions ranged from the emergence of man-induced climate change to the reality of how climate change is affecting everyday existence and how that has seen the explosion of dystopian fiction. An important comment by Cat Sparks was that perhaps we should be focusing in our writing of turning the current climate crisis around and sending a message of hope in doing so.

The last event was a live 5 minute reading session with Kaaron Warren. I read an excerpt from Bluebells when Peter first meets Nicolas de Laon on the frontlines in Belgium.

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Out of the Darkness Release

This single charity anthology has donated to the American Suicide Prevention Society. It is a fantastic collection of stories by authors on topics of overcoming the darkness of depression, loss of a loved one, self-harm, self-rejection, societal rejection and chronic pain. Out of the Darkness was published by Wolfsinger Publications on 20th December 2022.

My own story “Tatters” features in the anthology and is a very personal and emotional piece for me, exploring the concepts of chronic pain and psychosis and the emergence into the light at the other end.

If you wish you buy copies of Out of the Darkness and support this wonderful cause, you can find more information here.