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Witch King

** I received an ARC for an honest review **

Publisher’s Description

Kai-Enna is the Witch King, though he hasn’t always been, and he hasn’t even always been Kai-Enna!

After being murdered, his consciousness dormant and unaware of the passing of time while confined in an elaborate water trap, Kai wakes to find a lesser mage attempting to harness Kai’s magic to his own advantage. That was never going to go well.

But why was Kai imprisoned in the first place? What has changed in the world since his assassination? And why does the Rising World Coalition appear to be growing in influence?

Kai will need to pull his allies close and draw on all his pain magic if he is to answer even the least of these questions.

He’s not going to like the answers.


Summary

I recently read the dark fantasy Witch King by US author Martha Wells.

The protagonist Kai, a demon prince of the Fourth House called the Witch King who uses his touch to drain the life of his victims to fuel his own magic and life force wakes in a disembodied state to find he has been assassinated. Sacrifices are dragged into his tomb and in this disembodied state, Kai takes possession of a recently deceased sacrifice, drains the life of his captors but spares the life of Sanja, a girl prisoner who’d been taken to his tomb along with the dead. Now back in a body, Kai must find and rescue his companion the witch Ziede from a similar imprisonment. Once Ziede is rescued, the two rely on Sanja to explain the world they have woken into and begin their quest to find and rescue Ziede’s lover Tahren who is separated from them both and unreachable by magic.

The events put in motion by Kai’s search for answers and the quest to rescue Tahren in this newly flooded world, begins a chain of events that uncover lies and deceptions, false friendships and true ones.

Review

Witch King was at its core a dark fantasy but Wells has created genuine characters with dark humour and wit woven throughout. In part a dystopian tale with a water-drowned fantasy world, Wells crafted a unique and plot of deception, friendship, love and loss which added the necessary links to humanity in those who survived the ending of their world – albeit a demon who drains life to survive and swaps bodies, a witch bent on revenge and finding her lover and a mortal child saved from the darkness of the Rising World Coalition and Blessed Hierarchs with their expositors and necromancy magic. In this new world, Wells draws on the darkness and deception that surround the Rising World Coalition where truth and lies can be hard to distinguish. Wells has created a masterfully written story with genuine characters and unique world-building.

Conclusion

A wonderful read for fans of dark fantasy with humour, witchcraft, necromancy and fantastic world-building for a water-drowned dystopian unique fantasy world. Highly recommended!


** This is my personal opinion and does not reflect any judging decisions **

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Voodoo Folklore: Baron Samedi

Baron Samedi is the leader of the Barons and possibly the Gedés. He presides over a sprawling, confusing, complex clan of spirits. Baron Samedi literally means Baron Saturday, which may sound innocuous compared to Baron Cemetery but a connection through Christianity is Saturday was between the crucifixion on Friday and resurrection on the Sunday. Thus, the Saturday, belongs to Baron Samedi, Lord of the Dead. Or another possible explanation for the name is that Samedi is related to ‘Simbi’ or zombie in Haitian and there is only a coincidental resemblance to the French word for Saturday.

Baron Samedi spends is mostly in the invisible realm of the Haitian voodoo spirits. He is known to be outrageous – drinking rum and smoking cigars, swearing profusely, and making filthy jokes. The other spirits in the Guede family behave similarly but lacking the suaveness of Baron Samedi.

Despite being married to the loa, Maman Brigitte, the Baron chases after mortal women and lingers at the crossroads of life and death in the human world.

When someone dies, the Baron is said to dig their grave and meet their soul as it rises from that grave. He guides them into the underworld and only Baron Samedi has the power to accept an individual into the world of the dead. He also makes certain those who have died rot in the ground as they should, and no soul can return as a brainless zombie. For this act, he will demand payment which varies upon his mood at the time. On many occasions, he accepts gifts of cigars, rum, black coffee, or grilled peanuts but he may ask others to continue wearing black, white or purple.

Baron Samedi, is the head of the Guede family, the group of loas that control life and death. This powerful family of spirits possesses numerous abilities. The Baron is also a giver of life and can cure any mortal of a disease or wound provided he believes it is a worthwhile act to save the individual. The Baron even has the power to overcome voodoo hexes and curses. An individual who is cursed by a hex or other black magic is not guaranteed death if the Baron refuses to dig their grave. As the Master of the Dead and Guardian of Cemeteries, no one can enter the underworld without his permission. In this way, he can prevent death.

He a powerful healer and is especially sympathetic to terminally ill children. He can be just and kind. The Baron prefers children live full lives before joining him in the cemetery and underworld.

Baron Samedi is the crossroads where sex and death meet. The Spirit of an undying life-force and he may be petitioned for fertility. He is the guardian of ancestral knowledge and the link to ancestral spirits.

Baron Samedi is syncretized to Jesus because they both share the symbol of the cross. Baron Samedi’s associations with the cross may pre-date Christianity. In Congolese cosmology, the cross is the symbol of the life cycle: birth-death-rebirth.

Also known as: Bawon Samdi (Creole); Baron Sandi (Spanish); Baron Saturday

Classification: Lwa

Favored people: Children; women seeking to conceive; funeral workers; grave diggers; any whose work brings them into contact with death

Manifestation: an older, dark-skinned man in formal attire, dressed completely in black. He wears a black top hat, black suit, and may be smoking one of his beloved cigars. He wears impenetrable black sunglasses (one lens may be missing because he simultaneously sees the realms of the living and the dead.

Iconography: A chair chained to a cross.

Attributes: Coffin; phallus; skull and cross-bones; shovel; grave; black sunglasses; cross.

Offerings: Black coffee, plain bread, dry toast, roasted peanuts. He drinks rum in which twenty-one very hot peppers have been steeped. Cigars, cigarettes, dark sunglasses, Day of the Dead toys (the sexier and more macabre the better); A skull and crossbones pirate flag; beautiful wrought-iron crosses are crafted in his honor.

Colours: Black but also red or purple

Day: Saturday

Feasts: 2 November, Day of the Dead.

Time: Twilight tends to be a good time to invoke him or make requests.

Consort: Madame Brigitte. They may both be petitioned together for fertility, protection, or to save sick children.

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Spring’s Arcana

** I received an ARC for an honest review **

Publisher’s Description

Nat Drozdova is desperate to save a life. Doctors can do little for her cancer-ridden mother, who insists there is only one cure—and that Nat must visit a skyscraper in Manhattan to get it.

Amid a snow-locked city, inside a sleek glass-walled office, Nat makes her plea and is whisked into a terrifying new world. For the skyscraper holds a hungry winter goddess who has the power to cure her mother…if Nat finds a stolen object of great power.

Now Nat must travel with a razor-wielding assassin across an American continent brimming with terror, wonder, and hungry divinities with every reason to consume a young woman. For her ailing mother is indeed suffering no ordinary illness, and Nat Drozdova is no ordinary girl. Blood calls to blood, magic to magic, and a daughter may indeed save what she loves…

…if it doesn’t consume her first.

This is the way to the Dead God’s Heart.


Summary

I recently read Spring’s Arcana by US urban fantasy author Lilith Saintcrow.

Spring’s Arcana follows protagonist Nat Drozdova as she begins a journey and bargain with Baba Yaga to save her dying mother’s life. In return, she must begin a journey to retrieve the items her mother stole and hid carefully across the United States – including the Heart of a God – stolen from Baba Yaga herself, who in turn wrenched it from Dimitri Konesti – the god of thieves.

For Nat, all is new and incomprehensible until she begins to realise her mother lied to her for her entire life and kept her innocent of the knowledge of divinities – including her own mother being the divinity of Spring.

Baba Yaga sends Dimitri to both protect and watch Nat Drozdova as she grows into her power, becoming Spring even as her mother sickens and fades in a hospice and Nat tries to find the items she needs to save her mother. But will Baba Yaga keep her word? Is Nat’s own mother more of a threat to her than the Dead God whose heart she stole?

Review

An intriguing and well-crafted folklore and mythology inspired first book in a duology. Spring’s Arcana is a fascinating read that is authentic and enthralling. The world-building and development of the characters is high quality and SanitCrow delivers a novel that is dark, mysterious and leaves you hungering for more.

Conclusion

Highly recommended for fans of reimagining of folklore, legends and mythology. This is a great urban dark fantasy that is a supernatural thriller and a dark delight. Can’t wait for the second instalment. A must-read!


** This is my personal opinion and does not reflect any judging decisions **

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Sumerian Mythology: Ereshkigal

Ereshkigal in Near Eastern mythology (Babylonian – Assyrian) was the goddess of the underworld, married to the war god Nergal.

Ereshkigal ruled over the Mesopotamian realm of death. She is Inanna’s sister, rival, or alter-ego as descriptions of her and her realm are found in the Sumerian hymn, The Descent of Inanna (available in English translation). This is the descent Inanna makes into Irkalla-Ereshkigal’s realm of death.

Ereshkigal is great and powerful and possesses power over life: has access to the Water of Life and is capable of resurrecting the dead.

She is a tempestuous, volatile and aggressive. She commands and compels the dead with her powers are invoked in necromantic spells from the magical papyri of Alexandria, Egypt.

An Akkadian hymn recounts the union of Ereshkigal and Nergal. Nergal was delegated to deliver food offerings to Ereshkigal and they unexpectedly fell passionately in love and she conceived. When Nergal returned to his home in the court of the spirits, Ereshkigal threatened the supreme authorities with an army of the raised dead to devour the living unless Nergal was sent back to her. Unless her “request” was granted, the dead would outnumber the living. No attempts were made to call her challenge and Nergal was allowed to return.

Inanna’s Descent to the Underworld

Ereshkigal plays a prominent role in the myth known as ‘Inanna’s Descent to the Underworld’ . Inanna is the Queen of Heaven and Ereshkigal’s younger sister. In the myth, Inanna journeyed to the Underworld to observe the funeral rites of Gugalanna, Ereshkigal’s husband. Although Inanna was allowed to pass through the seven gates of the Underworld, Ereshkigal instructed her gatekeeper, Neti, to remove a piece of clothing or jewelry from her sister as each gate was opened. This may be interpreted as the gradual removal of Inanna’s power as she progressed deeper into the realm belonging to her sister. Finally, when Inanna reached Ereshkigal’s throne room, she was completely naked and powerless. After the Annuna of the Dead passed judgment on her, Inanna was killed by Ereshkigal and her corpse hung from a hook on the wall. The gods succeeded in rescuing Inanna and removed her from the Underworld alive.

Origin: Sumerian

Manifestations: Ereshkigal may manifest as a woman but she may also appear with a lioness’ head on a woman’s body.

Attributes: Her scepter is a snake.

Consort: Nergal

Allies: Gestinana and Belit-Seri, Lady of the Desert, serve as Ereshkigal’s personal secretaries, writing down her decrees.

Animals: Snakes, scorpions, lions

Realm: Irkalla, realm of no return; realm of the dead.

Offerings: Made to the dead find their way to Ereshkigal.

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The Hunger of the Gods

*** I received an ARC in return for an honest review ***

Publisher’s Description

Lik-Rifa, the dragon god of legend, has been freed from her eternal prison. Now she plots a new age of blood and conquest.

As Orka continues the hunt for her missing son, the Bloodsworn sweep south in a desperate race to save one of their own – and Varg takes the first steps on the path of vengeance.

Elvar has sworn to fulfil her blood oath and rescue a prisoner from the clutches of Lik-Rifa and her dragonborn followers, but first she must persuade the Battle-Grim to follow her.

Yet even the might of the Bloodsworn and Battle-Grim cannot stand alone against a dragon god.

Their hope lies within the mad writings of a chained god. A book of forbidden magic with the power to raise the wolf god Ulfrir from the dead . . . and bring about a battle that will shake the foundations of the earth.


Review

I recently read the dark fantasy The Hunger of the Gods (The Bloodsworn Saga, #2) by UK author John Gwynne.

The Hunger of the Gods follows directly from the The Shadow of the Gods with the imprisoned dragon-god Lika-Rifa freed by Queen Hekla and her dragon-born warriors – with the Tainted children made thralls and sworn to serve Lik-Rifa.

Bloodsworn and Tainted warrior Orka continues her hunt for Queen Hekla and vengeance for stealing her Tainted son Breca. But Orka has the blood of the wolf-god Ulfrir in her veins and aided by vessen monsters. She is formidable and ferocious when the wolf-blood overwhelms her.

Elevar of the Battle-grim warriors aims to fulfil the blood-oath to find another stolen Tainted child. But to battle Queen Hekla, her dragon-born warriors and the dragon-god Lik-Rifa, Elvar makes a thrall of a winged-god and using mad writings of Lik-Rifa, she raises Ulfrir the wolf-god from his bones and the winged thrall Skuld forges a collar for Elvar to make a thrall of Ulfrir. That accomplished, Elvar and her Battle-grim warriors follow after Lik-Rifa and wait for Ulfrir to regain his legendary strength before the battle which could remake or unmake the world.

Final Thoughts

The Hunger of the Gods continues the epic dark fantasy where Gwynne’s talent for reimagining Norse mythology and world-building is compelling.

Conclusion

A good sequel in the Bloodsworn Saga. An enjoyable dark fantasy of Norse-inspired sagas and mythology with extensive world-building and strong, well-defined characters. A recommended read!

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The Shadow of the Gods

Publisher’s Description

THE GREATEST SAGAS ARE WRITTEN IN BLOOD. 

A century has passed since the gods fought and drove themselves to extinction. Now only their bones remain, promising great power to those brave enough to seek them out.

As whispers of war echo across the land of Vigrio, fate follows in the footsteps of three warriors: a huntress on a dangerous quest, a noblewoman pursuing battle fame, and a thrall seeking vengeance among the mercenaries known as the Bloodsworn.

All three will shape the fate of the world as it once more falls under the shadow of the gods.


Review

I read The Shadow of the Gods (The Bloodsworn Saga, #1) by UK author John Gwynne.

The Shadow of the Gods follows three main characters: Orka a Bloodsworn warrior and Ulfir Tainted mother seeking her stolen Tainted son Brecca. Elvar from the Battle-Grim warriors on a quest for battle fame. The thrall Varg seeking vengeance. In this world where the old gods fought and died, their bones hold immense power for those brave and strong enough to seek them out through lands where monsters now roam.

Queen Hekla of the Raven-feeders is determined to free and the old dragon god Lik-Rifa from her imprisonment in a chamber beneath the earth and to whom the Dragon-born like Queen Hekla are sworn to serve and follow. But the magic required to free Lik-Rifa uses the blood of the Tainted (those sharing bloodlines of the dead gods). Tainted children were the easiest to make thralls of and steal away so their blood can be used to free Lik-Rifa.

The final battle will see fame found, saga tales returned the land fall as warriors seek power with the death of their enemies.

Final Thoughts

The Shadow of the Gods is a unique reimagining of Norse mythology with extensive world-building and strong, well-developed characters. The battle scenes are visceral and can be at times, gratuitous. The female characters are strong and independent which was pleasant to find in a dark fantasy.

Conclusion

A reimagining of Norse mythology with extensive world-building. A great read for those who enjoy dark fantasy, mythology and Norse-inspired fantasy. A recommended read!

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Freyja: Norse Mythology

Freya (Old Norse Freyja, “Lady”) is one of the preeminent goddesses in Norse mythology. She’s a member of the Vanir tribe of deities, but became a member of the Aesir gods after the Aesir-Vanir War. Her brother Freyr also became a member of the Aesir.

Freyja is the Norse goddess of love, fertility, beauty and fine material possessions. She is passionate and thrill-seeking and is often a “wild spirit” among the Aesir. Contrastingly, Freyja is also the archetype of the völva, a practitioner of seidr, a form of Norse magic and divination. It was Freyja who first taught the sedir to Odin, and eventually human witches learned the practice to. Her power over desire and prosperity, her knowledge and power are almost without equal – except Odin.

Freyja presides over the afterlife realm Folkvangr where she chooses half of the warriors slain in battle who dwell in her Hall, while Odin takes the first half of fallen warriors to dwell in Valhalla with him. Her role as battle leader and followed by the band of Valkyries who help decide the fates of men in battle.

Seidr is a form of pre-Christian Norse magic and shamanism that involves discerning the course of fate and working to bring about change – often by symbolically weaving new events into being. This power is incredibly useful in bringing about changes in human life.

In the Viking Age, the völva was an itinerant seeress and sorceress who traveled from town to town performing commissioned acts of seidr in exchange for lodging, food, and often other forms of compensation including clothing or anything she might need. Like other northern Eurasian shamans, her social status was highly ambiguous – she was exalted, needed, feared and scorned.

Freyja’s role amongst the gods is stated in the Ynglinga Saga with indirect hints elsewhere in the Eddas and sagas. In one tale, Freyja possesses falcon plumed cloak that allows the wearer to shift their shape into that of a falcon.

In the Germanic “politico-theological conception” based on the mythological model provided by the divine pair Frija and Woðanaz – deities who later became linked as Freyja/Frigg and Odin. In this Germanic concept, Woðanaz is the warband’s chieftain and Frija is its veleda (völva).

While late Old Norse literary sources form the basis of current knowledge of pre-Christian Germanic religions portray Freya and Frigg as being -at least nominally- distinct goddesses but the similarities between them run deep. Their differences are superficial and can potentially be explained by the Norse and Germanic tribes sharing close trade and marriage ties with Freya and Frigg split sometime before the conversion of Iceland to Christianity (around the year 1000 CE).

Freyja and Frigg are similarly accused of infidelity to their (similar) husbands. Alongside several mentions of free Freyja’s sexual practices in the Lokasenna and the Ynglinga Saga, Odin was once exiled from Asgard with his brothers Vili and Ve left in command. The two brothers apparently slept regularly with Frigg until Odin’s return. Many scholars have tried to differentiate between Freyja and Frigg by asserting that the former is more promiscuous and less steadfast than the latter.

Frigg is depicted as a völva herself. Once again in Lokasenna, after Loki slanders Frigg for her infidelity, Freyja warns him that Frigg knows the fate of all beings – a threat to perform seidr. Frigg’s weaving activities are likely an allusion to this role as well as the Norns are known to weave the fate of gods and men.

The name Freyja translates to “Lady” which is a title rather than a true name. In the Viking Age, Scandinavian and Icelandic wealthy women were sometimes called freyjur, the plural of freyja. The name “Frigg” means “beloved.” Frigg’s name therefore links her to love and desire which are areas that Freyja presides. Both goddesses fulfil the roles of the other: Frigg’s name is similar to the Freyja’s attributes.

Freyja’s most famous possession is her necklace the Brisingr forged by the dwarfs. While in the underground kingdom of the dwarfs, Freyja saw them create a necklace and she asked the dwarfs to give it to her. They refused at first but eventually gave it to her and the influence of her sexuality. Brisingr was once stolen by Loki but recovered by the god Heimdallr.

Freyja also has two large grey cats assumed to be lynxes which pull her chariot. Her role as the goddess of fertility is also shared with her brother Freyr and their shared close connection to the earth and the prosperity of crops. Her seemingly dual role as a battle goddess places her at the axes of life and death.

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Black Cranes

*** I received a free copy in return for an honest review ****

Publisher’s Description

Almond-eyed celestial, the filial daughter, the perfect wife.

Quiet, submissive, demure.

In Black Cranes, Southeast Asian writers of horror both embrace and reject these traditional roles in a unique collection of stories which dissect their experiences of ‘otherness,’ be it in the colour of their skin, the angle of their cheekbones, the things they dare to write, or the places they have made for themselves in the world. Black Cranes is a dark and intimate exploration of what it is to be a perpetual outsider.


Review

I was thrilled to read and review Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn.

This is a beautiful and rare collection of speculative fiction tales from women of southeast Asian descent writing about the culture where women are supposed to be quiet, unheard and remain in the shadows. Black Cranes brings these voices, cultures, folklores and legends into the open and shines a light on the powerful women of Southeast Asia.

Final Thoughts

There are so many different and wonderful tales in Black Cranes that I found it difficult to choose my stand-out favourites.

Some of my favourite stories were “The Genetic Alchemist’s;s Daughter” by Elaine Cuyegkeng, , “Kapre: a love Story”, by Ron Cupeco, “Vanilla Rice”, and “Little Worm” by Geneve Flynn.

Conclusion

An absolutely stunning, beautiful and powerful collection of tales about women emerging from the shadows of their cultures. A simply stunning collection!

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Hell Hounds

Hellhounds are demons or evil spirits that take the form of a dog.

Throughout history and in numerous cultures there are creatures known as hellhounds which appear in mythology, legend and folklore – sometimes as guardians of forbidden areas or as sinister loners that spread death and misery wherever they tread.

A Hellhound is not a demon that takes the form of a wolf – this is more accurately known as a Warg or Worg – as the two terms are likely interchangeable.

Hellhounds date back at least as far as Ancient Greece with the legend of Cerberus, the three-headed guardian of the Underworld. The fearsome beast appeared in one of Hercules’ twelve tasks and remains a popular figure in fantasy fiction.

In the British Isles, the ghostly black dogs – often of inhuman size – is an ancient and almost always warning of death. The creatures are embodied in legendary monsters like the Black Shuck which served as the inspiration for the Hounds of the Baskervilles by Arthur Conan Doyle.

Japan has stories of the shapeshifting Kitsune, which were technically foxes. Koreans had an even more evil fox-spirit known as the Kumiho, which was almost always destructive, chaotic, and evil.

The Hellhound is a supernatural dog found in folklore. There is a wide variety of ominous and supernatural dogs occurring in mythologies around the world. The hellhound commonly has black fur, glowing red, or, sometimes, yellow eyes, with super strength or speed and ghostly or phantom characteristics, a foul odour, and sometimes even the ability to talk.

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The Kishi

The Kishi by TheRafaArts

The Kimbundu people of Angola believe in a fast and agile vampiric demon named the. Kishi. Its true form has two heads appearing as a hyena with large teeth and powerful jaws on one side, a human face on the other .

It can shape-shift into a man and in that guise impregnate a woman. After she gives birth to its child, the kishi kills her and takes the offspring to raise in its home beneath the sea where the child becomes cannibalistic like its father.

The Kishi in human form is a preternaturally handsome man with a deep, piercing stare. The second head grows from the back of his skull which is the snarling face of a hyena.

A Kishi is a lesser form of rakshasa. They are deemed lesser in relative power and magical prowess – not in the ability harm others or inflict harm on communities. A Kishi can’t truly shapeshift with its animalistic features always present in the grotesque hyena face growing from the back of the head.

Kishis are very persuasive which helps entice others into doing evil deeds. Their handsome human face and charming words are boosted by a magical persuasion to weaken the will of a target or simply by looking upon them. Those that refuse to be seduced or corrupted are attacked. The kishi can quickly turn its head 180 degrees and unleash the bestial hyena aspect. If the victim attacked is killed, the corpse is usually left out in the open and partially eaten to spread terror.

Most Kishi live alone but move from village to village so the ruin thru have created doesn’t fall suspect that n them.

Although not compelled to kill, they find pleasure from it and prefer the flesh of humans to those of other creatures. If rare occasions when multiple Kishis cooperate together, they may pose as a gang of thieves, mercenaries or prostitutes or other socially low groups. Each Kishi in such a pack often try to gain leverage over the other in the hope of reincarnating sooner into a more powerful Rakshasa form.