The Isle of Skye is rich in fairy lore. One of the most magical-looking is the miniature landscape of grassy, cone-shaped hills and whimsical rock spirals of Fairy Glen.
There is no documented folklore linking the landscape to the realm of myth, and there have been no actual sightings of fairies, Fairy Glen is rich in folklore. You can easily imagine the the fairy folk in this landscape.
There is another explanation for the rock formations found at Fairy Glen. The geological formations are the result of a landslip, triggered by volcanic activity on northern edge of the Isle of Skye about 60 million years ago. The resultant lava flow that would have covered northern Skye was 1,200m thick.
To many, this otherworldly landscape was created by the fairies. There’s belief the fairies still live here, hiding in the crevices…Remember it’s important to leave Fairy Glen as you found it: the fairies are watching you.
Unlike the French loup garou, not all werewolves terrorise humans giving into their blood lust. The Scottish wulver of the Shetland islands, just north of the Scottish mainland, is a benevolent werewolf.
The wulver was thought by the ancient Celts to be its own species between a man and a wolf.
Folklorist Jane Saxby wrote extensively about the wulver. It was described as being covered with short, brown hair with the body of a man and the head of a wolf. Unlike the typical werewolf, the wulver could not shapeshift and was considered a gentle, kind-hearted being.
The wulver was solitary, living in a cave dug out from a hillside. Unlike its western European cousins, it wasn’t aggressive as long as left alone. When it did interact with people and was known to be generous and helpful, particularly to those who were lost, guiding travellers to nearby villages and towns.
The wulver was often seen fishing from a small rock in the deep water known as “Wulver’s Stane/Wolf Stone”. The wulver was known to leave a supply of fish on the windowsills of poor families.
It’s been speculated that the wulver folklore may be based on a medical condition like hypertrichosis (‘werewolf syndrome’) characterised by excessive hair covering the entire body. Another belief is that the wulver is an immortal spirit protecting and watching over the lost and poor of the Shetland Islands.
The Irish Faoladh
Similar to the Scottish wulver, the Irish werewolf or faoladh, differs from the typical western European werewolves and the faoladh was often considered “good”.
The faoladh is a man or woman that shapeshifts into a wolf, and is often a protector or guardian of others rather than an unthinking, bloodthirsty creature.
Wolves were hunted into extinction in Ireland but the country was once called Wolfland up until the Middle Ages, due to the amount of wolves roaming there. They feature prominently in Irish folklore with stories of people transforming into wolves passed through the generations.
In some folklore, the faoladh were that of the Laignach Faelad. These were not doomed, kind-hearted or guardian werewolves, but vicious werewolf warriors mentioned in a medieval Irish text called the Cóir Anmann. Here, a tribe of man-wolf shapeshifters were from what is now known as Tipperary Island, followers of the bloodthirsty Irish god, Crom Cruach (the Bowed God of the Mounds.) These ancient mercenary soldiers would fight for any king willing to pay their price. Their brutality in battle made them desirable to any ruthless and desperate king willing to hire them. The price for their services? Not gold, but the flesh of newborns they would feed on.
According to English folklore, Bluebells were often used to call fairies…If you “rang” a bluebell like you would any normal bell, it was believed fairies would come to you. But fairies are notoriously dangerous bargainers and the need to call fairies for aid must be great to risk the summons.
There is another folklore that states if you hear a bluebell ring, somebody close to you will die. Bluebells growing en masse in a field were best avoided.
“It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.
Gabriel de León, half man, half monster and last remaining silversaint – a sworn brother of the holy Silver Order dedicated to defending the realm from the creatures of the night – is all that stands between the world and its end.
Now imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope:
Empire of the Vampire follows the last SilverSaint, Gabriel de Leon while imprisoned, he recounts how he found and lost the holy grail to a vampire historian. The world that Gabriel lives in has turned darker and more sinister since a shadow blotted out the sun and the vampires roamed freely. Gabriel’s personal story begins with his childhood and unknowingly not being the biological son of his brutal alcoholic father. Soon after one of his sisters is turned into a reanimated corpse by the vampires. He destroys his sister’s blood-thirsty reanimate by burning her with his touch. When he gets a hunger for blood, he then learns the truth about his heritage. He is a ‘pale blood’, children born from a union between a vampire and mortal woman.
The SilverSaints of San Michon soon come for Gabriel and take him into training where pale bloods form a dwindling army of vampire hunters. Gabriel excels among the SilverSaints but only through acts of heroism. Disliked by his trainers for rashness, Gabriel still can’t explain his unusual and rare powers against the ‘high blood’ vampires. In the midst of his training, Gabriel meets the love of his life Astrid Rennier, a nun in the SilverSorority. Despite the threat of being banished from San Michon for life, Gabriel and Astrid begin a secret affair.
In Gabriel’s retelling of his life, darker elements of his story often overwhelm him. It is in this lingering darkness of the final days before he found the holy grail, a prophesied way to destroy the oldest of the vampires.
Empire of the Vampire is an expertly structured novel, the writing and characters alive with emotion and complexities. The accompanying illustrations evoke the world beautifully and add an extra layer to the storytelling.
Highly recommended for readers who like grimdark fantasy, horror and vampires. A fresh take on the vampire trope. A must-read!
“Beware of what lurks in the corn. Fairies don’t exist. At least that’s what Thomas Cavanaugh’s parents say. But the events of that one night, when he follows a fairy into the cornfield on his parents’ farm, prove them wrong. What seems like a destructive explosion was, Thomas knows, an encounter with Dauðr, a force that threatens to destroy the fairy’s world and his sanity. Years later, after a troubled childhood and a series of dead-end jobs, he is still haunted by what he saw that night. One day he crosses paths with a beautiful young woman and a troubled young man, soon realizing that he first met them as a kid while under psychiatric care after his encounters in the cornfield. Has fate brought them together? Are they meant to join forces to save the fairy’s world and their own? Or is one of them not who they claim to be?”
*** I received an ARC in exchange for an honest review ***
The Girl in the Corn is a horror and dark fiction novel by US author Jason Offutt.
The protagonist is Thomas, a young boy when first introduced to the to reader who meets what he assumes is a fairy between the garden and the corn field. Thomas soon discovers there’s something frightening about the fairy girl who taunts and teases him. As Thomas grows older, his acquaintance with the fairy becomes more dangerous until he learns that Dauðr,, all-encompassing Death and destroyer of all life has Thomas’s world within its sights. At age eleven, Thomas tries to destroy Dauðr, with the fairy’s help but nearly dies in the effort. The mortal world is saved, but Thomas has no memory of that night which still wakes him screaming from his sleep. In the bleak confines of a mental institution, Thomas finds connections with his first love and a dangerous boy he half-recalls.
Years pass and Thomas reunites with Jillian from their shared days in group therapy. But something about Jillian is familiar to Thomas and it’s not until later he discovers she’s the fairy from his childhood. One of the Alfar, the elves. In desperation to flee Dauðr,, Jillian takes Thomas to Alfarheim, the world of the elves that’s been made desolate by Dauðr,. Resolute to save his world from similar destruction, Thomas and Jillian must combat Dauðr, for the final, desperate time.
The Girl in the Corn is a horror and dark fantasy novel that uniquely combines the typical American corn fields and Missouri farming communities with the Scandinavian folklore of the alfar, the elves and the destructive force of Dauðr,. Although more explanation of the dimensional existence of Alfarheim is needed and more detail on the folklore of the alfar, The Girl in the Corn was a interesting read.
The Girl in the Corn is a horror and folklore-inspired dark fiction. Recommended for readers who enjoy gothic-style American horror, and horror infused with some Scandinavian folklore. An unusual combination and a recommended read.
A woman with the strength to rebel. A shapeshifter who wears the souls of the dead. Together, they face a lethal enemy… Em helped create it. Now she must craft its defeat. In a city owned by industrialists, Em sells her magic to make ends meet. The extraction procedure is brutal and potentially deadly.
Desperate for change,she joins an underground resistance movement to weaponise her magic and stop the abuse of workers. Meanwhile, a mysterious voice wakes Ruk from a decades long slumber and compels him to become human. He wants to break free but is torn between his shapeshifter instincts and the needs of the soul that sustains him.
On streets haunted by outcasts and predatory automatons, a new danger emerges – an ever-growing corruption of magic and science. Em and Ruk must put aside their differences and pursue it – each for their own reasons. Their discovery will forever change their lives… Or end them.
*** I received this ARC in exchange for an honest review ***
I read The Eternal Machine by Australian author Carol Ryles, a debut novel combining steampunk, gaslamp fantasy and alternate history.
The Eternal Machine follows the protagonist Emma as she ekes out an existence in the lower classes of society, selling her magic alongside many others for the money to support themselves. Their magic is used to as energy for the powerhouses that support the industrialisation movement in this steampunk version of Victorian society. But as Emma begins to realise the extent of her true magical strength when left undrained by the powerhouses, she rivals the mages who run the powerhouses and society. Together with her partner Lucien, she begins to investigate the Groundists, a movement of radicalised lower classes determined to topple the powerhouses and the mages who rule them.
But Emma’s magic awakens an ancient shape-shifter, Ruk, who begins searching for her. The shape-shifters are few but powerful beings and Ruk kills Lucien, assuming his form and identity. But as Emma and Ruk enter the Groundist movement, Emma begins to learn more about her past as demons awaken and like the shape-shifters, are drawn to her power. In a company of other powerful Groundists, Ruk and his fellow shape-shifters, Emma and others battle the mages and the demons until the truth of Emma’s birth right is known and her entire world changes forever.
The Eternal Machine is a fascinating alternate history exploring the industrialisation era and social class suppression. I particularly enjoyed the combination of steampunk and gaslamp fantasy, the use of magic and technology in an alternative history setting was very well done. Perhaps the only downside to the book was it felt unnecessarily long, and some character development was rushed when introducing motivations which the extra length of the book could have focused on better. Overall, the world-building was supreme and the concept unique and refreshing.
A new steampunk read from a debut author in the genre. Highly sophisticated world-building with combination of alternate history, steampunk and gaslamp fantasy makes this suitable for audiences of all three genres. A well-recommended read!
I was invited to write a story for a dark speculative fiction anthology inspired by Alice in Wonderland and reimagined for an adult audience. One of the most influential characters for me was the Cheshire Cat and his luring of Alice through Wonderland, and not necessarily for the better. In writing a dark version of my own Alice story, I wanted to incorporate a Cheshire Cat-like character while delving into the social inequalities and injustices many women faced in Victorian times.
In reimagining a darker atmosphere for the Cheshire Cat, I became fascinated by Celtic folklore of the Cat Si, a fairy cat capable of shapeshifting between cat and human form. As a cat, they are described as being a back wild mountain cats with a white star-like pattern marked on the chest.
A gaslamp fantasy, where the Victorian era exists alongside magic, seemed the suitable to incorporate fey shapeshifting cats and Victorian social issues. The dark undercurrents of the story developed through the restrictions of freedoms for women where I focused on the ability to choose whether to marry and whom. In keeping with the nature of Alice’s curiosity in the original Alice in Wonderland, this took a dark path into a romantic relationship based on inequality and injustice. Here, it is the Cat Si who leads adult Alice astray through a darker wonderland than she could have imagined.
I am excited to announce the re-release of New Tales of Old Volume 1, a reimagined fairytale anthology released on 27th November 2021. This anthology is inspired by fairytales, legends and mythology and published by Black Ink Fiction.
New Tales of Old Volume 1 includes my dark reimagining of Hansel and Gretel, “A Trail of Corpselights” set during World War Two Germany, and “The Dark Harpist” a dark fantasy inspired by the Pied Piper and the Singing Bone fairytales. You can read more about my research behind “The Dark Harpist” here and “A Trail of Corpselights” here.
If you’re interested in purchasing an ebook or paperback copy of New Tales of Old V1, more details here.
Welcome to The Heart is a Mirror for Sinners and Other Stories.
Slatter’s work has been described by the legendary Ramsey Campbell as “enviably original, and told in prose as stylish as it’s precise. Not just disturbing but often touching, her work enriches and revives the tale of terror.”
From the fierce changeling children of ‘Finnegan’s Field’ to shades of old gods in ‘Egyptian Revival’, from the Lovecraftian echoes of ‘Lavinia’s Wood’ to a new kind of Victorian sleuth in ‘Ripper’, and from the re-imagined fairy tale of ‘The Little Mermaid, in Passing’ to the tender terror of ‘Neither Time nor Tears’, the stories in this collection spring from dragons’ teeth scattered on the field of story.
The Heart is a Mirror for Sinners and Other Stories is a fantastic and disturbing collection with a few favourites that I really enjoyed. The novella ‘Ripper’ is a Victorian crime viewed through a gothic and supernatural lens. ‘Finnegan’s Field’ is a chilling tale about changelings.
The Heart is a Mirror for Sinners and Other Stories is a varied collection that is well-written, perfectly executed in the distrusting nature of psychological horror, supernatural horror and dark fiction.
Highly recommended for those readers who enjoy a literary style of dark fiction, the chilling nature of supernatural horror and the disturbing dread from psychological horror. A must-read!