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Slavic Folklore: Upiór

The Upiór is present in Slavic and Turkic folklore and resembles the vampire. The Upiór is depicted as a ravenous and insatiable creature with vampiric features. Belief in the Upiór may have spread across the Eurasian steppes through migrations with its origins in the regions surrounding the Volga River and the Pontic steppes.

An Upiór is created after the death of those who practised sorcery who undergo transformations in their graves and can assume animal forms. The Upiór is described as having an enlarged cranium and an elongated tail and also capable of flight.

Upiór can assume any form including human forms. Individuals under the sway of an Ubır are tormented by a ceaseless hunger and progressively become frail. An Upiór deprived of sustenance becomes aggressive and eventually driven to consume carrion and human blood.

Upiór are blamed for causing epidemic outbreaks, distress and madness in humans and animals.

Vampire Burials

In suspected Upiór cases, the grave is exhumed and nails driven into the coffin. This practice, reminiscent of contemporary vampire narratives, is widely regarded as effective.

In 2012, the discovery in Bulgaria of an 800-year-old skeleton with an iron rod stabbed through its chest, led to speculation of a vampire burial.

Upiór and Vampires

Immortality and Feeding off Life Essence:

The Upiór and the vampire both possess an insatiable hunger – whether blood, life essence, or energy. The Upiór is voracious and devours not only the flesh but also the life force of its victims leaving them weakened and dying. The vampire is also known for its hunger for human blood in order to prolong its existence.

Shape-shifting and Manipulation:

The Upiór is also a shape-shifter, which allows it to assume various forms including animals. Vampires are sometimes suggested to take the form of bats or wolves to enable them to blend into the night. This shared attribute with the Ubir suggests a link between folklore.

Dread and Vulnerability:

Both the Upiór and the vampire evoke a sense of dread and vulnerability in their victims. The ability of both Upiór and vampires to deceive the senses, blend with humanity and consume life energy strikes a common fear of violation that transcends cultural boundaries. The shared fear of deceitful danger hidden beneath a facade.

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Ditmar Award Nominations!!

I’m thrilled to announce I’m included in the 2022 Ditmar Awards Nominations. There is such a fabulous variety of works nominated this year.

Presentations will be held at Conflux Convention in September/October.

I’m nominated for Best New Talent and my LGBTQI dystopian alternate history novella Bluebells is nominated in Best Novella or Novelette.

Congratulations to all the nominees and can’t wait to celebrate everything Australian speculative fiction at Conflux.

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Steel Victory

Publisher’s Description

One hundred years ago, the vampire Victory retired from a centuries-long mercenary career. She settled in Limani, the independent city-state acting as a neutral zone between the British and Roman colonies on the New Continent.

Twenty years ago, Victory adopted a human baby girl, who soon showed signs of magical ability.

Today, Victory is a city councilwoman, balancing the human and supernatural populations within Limani. Her daughter Toria is a warrior-mage, balancing life as an apprentice mercenary with college chemistry courses.

Tomorrow, the Roman Empire invades.


Summary

I recently read alternate history and steampunk fantasy Steel Victory (Steel Empires, #1) by US author J.L. Gribble.

Steel Victory follows several protagonists including Victory, a vampire and leader of her free city state Limani and her human adopted-daughter Toria – a mage bonded to another mage to form a warrior pair. They are still in training and not yet combat ready but soon must face the realities of war whether they’re ready or not.

Victory is embroiled in the rising of an anti-Fae alliance within the council that governs the city and also within the populous itself. Brutal assaults and banning of Fae individuals from businesses sees injustice and discrimination made plain.

While the Roman army marches on the Limani, Victory is forced to battle on two fronts: a physical war looming and an internal Civil War brewing.

Review

Gribble’s vast world building skilfully uses alternate history and fantasy that is highly detailed while still fast-paced. The clever plot weaves history and magic and is a masterstroke by Gribble.

Conclusion

Highly recommended to fantasy readers, alternate history, occult, LGBTQI and readers who enjoy skilful and vast world-building. A great read!


** This is my personal opinion and does not reflect any judging decisions **

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The Kishi

The Kishi by TheRafaArts

The Kimbundu people of Angola believe in a fast and agile vampiric demon named the. Kishi. Its true form has two heads appearing as a hyena with large teeth and powerful jaws on one side, a human face on the other .

It can shape-shift into a man and in that guise impregnate a woman. After she gives birth to its child, the kishi kills her and takes the offspring to raise in its home beneath the sea where the child becomes cannibalistic like its father.

The Kishi in human form is a preternaturally handsome man with a deep, piercing stare. The second head grows from the back of his skull which is the snarling face of a hyena.

A Kishi is a lesser form of rakshasa. They are deemed lesser in relative power and magical prowess – not in the ability harm others or inflict harm on communities. A Kishi can’t truly shapeshift with its animalistic features always present in the grotesque hyena face growing from the back of the head.

Kishis are very persuasive which helps entice others into doing evil deeds. Their handsome human face and charming words are boosted by a magical persuasion to weaken the will of a target or simply by looking upon them. Those that refuse to be seduced or corrupted are attacked. The kishi can quickly turn its head 180 degrees and unleash the bestial hyena aspect. If the victim attacked is killed, the corpse is usually left out in the open and partially eaten to spread terror.

Most Kishi live alone but move from village to village so the ruin thru have created doesn’t fall suspect that n them.

Although not compelled to kill, they find pleasure from it and prefer the flesh of humans to those of other creatures. If rare occasions when multiple Kishis cooperate together, they may pose as a gang of thieves, mercenaries or prostitutes or other socially low groups. Each Kishi in such a pack often try to gain leverage over the other in the hope of reincarnating sooner into a more powerful Rakshasa form.

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The Dearg-Due

The Dearg-Due means “red” in Irish but wasn’t the name of this poor girl during her life. In life, over two thousand years ago, she was a legendary beauty, with blood-red lips and pale blonde hair. Her true name has been lost to the ages, overshadowed instead by the thing she became. Men travelled from far and wide, and even from rival clans across the land, to just to look upon her, but also to try to win her hand in marriage. Despite her outward loveliness, she was Godly and kind, and a blessing to all who knew her.

Fatefully, she fell in love with a local peasant. His name too, has been forgotten, swallowed by the legend. He was a true match for her in all things. He was handsome and kind-hearted but lacked what meant the most to her Father: money.

Without money, there and no no status in the community there would be no security for the family. That love match wouldn’t be allowed to happen.
Instead, the Father gave his child to a vastly older, much crueler man to secure a title and a fortune for their family. While the father revelled in his newly acquired riches, he gave no thought to his daughter. She suffered daily mental and physical abuse at the hands of her new husband.. His particular pleasure was drawing blood from her – watching as the crimson welled from her soft, porcelain skin. When not being abused, she was kept locked away in a tower cell so that only her husband could see her…touch her…bleed her. And she waited, in vain, for the day that her former peasant lover would rescue her. It was a hope that kept her going for many months.

One day, she realized there was no rescue to come, no hope and nothing but the daily cruelty. She would have to saved herself. In the only way possible to her and grimmest of ways, she committed suicide by a slow, painful starvation. It’s buried in a small churchyard, near “Strongbow’s Tree,” in the County of Waterford,m in Southeast Ireland.

In the last days of her life, when the abuse had broken and twisted her kind spirit, she renounced God and vowed terrible vengeance. For the devout, souls of those who commit suicide can never rest and are doomed to walk in torment forever.

Some folklore in Ireland said if you pile stones on the graves of the newly dead it prevents them from rising again. No one piled stones on the wretched girl’s grave.
Her husband married soon after and her father, intoxicated by his new fortune was too immersed in his own greed to be bothered by his daughter’s death and attending to the grave.

She rose from her grave, filled with rage and lusting for vengeance. She went first to her fathers home. She appeared in his bedroom while he slept and killed him. She moved next to her former husband and found him in a bed with a number of women, void of any sadness or regret – clearly without remorse or regret.

She attacked and killed him then proceeded to suck the blood from his body. After drinking the blood of her evil husband, she felt invigorated and alive. This gave her a hunger for more blood that couldn’t be quenched.

The legend of the Dearg-Due or “Red Blood Sucker’ was born. She used her great beauty to lure unsuspecting young men and sank her teeth deep into their necks drinking greedily.
With each new taste for blood, she grew hungrier – feasting on the blood of as many men under the darkness of night as she could with promises of love.

Then she disappeared. What happened to her? Where did she go? Is she still out there?
folklore says the grave of the young woman can be found at a place called the Tree of Strongbow (or Strongbow’s Tree) in Waterford, Ireland.

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Bluebells Book Launch

A very late posting of the offical launch of Bluebells on October 2nd, 2022 at Conflux 16 Convention in Canberra. The book launch which had been delayed due to my health issues and extended hospital stays. So this was time to celebrate!

@Cat Sparks

We kicked off the launch with Zachary Ashford giving a great introduction to my writing career and focus so far: I’m an LGBTQI and disability author of numerous short stories in the horror and dark fantasy genres. Bluebells was my debut novella.

Zachary had a couple of questions on what inspired me to write Bluebells. The answers ranged from climate change, an interest in WWI, vampires and the Black Death and ‘Spanish fever’. Alternate history had always fascinated me and the question in my mind became what if the world had fallen into a post-apocalyptic state during WWI? What if the future we know, never happened?

@Cat Sparks

Zachary invited me to do a quick reading from Bluebells. I chose a passage near the end where the vampire Nicolas confronts and debates his humanity alongside his vampirism.

@Cat Sparks

A book signing and purchase option for copies of Bluebells followed and I had a lovely time meeting new and old friends while I signed copies.

@Cat Sparks
@Cat Sparks
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Mirror Folklore

In folklore, a mirror is a doorway or portal through which spirits, including ghosts and demons can gain access to the physical world where demonic infestations and hauntings occur.

In prehistory, any shiny surface was regarded as a spirit doorway and used to summon spirits into the world. They also are used for seeing visions of the future.

Much of the folklore about mirrors is negative. They are viewed by some as “soul stealers” with the power to suck souls out from bodies. In the Greek myth of Narcissus, he sees his own reflection in water and falls in love with it, staring hopelessly until he dies.

In some Christian beliefs, the Devil and Demons can enter through mirrors to attack people.

There are also numerous beliefs about mirrors and the dead. In many folklores, when a person dies, all the mirrors in a house should be turned over because if the soul sees itself in a mirror, it will not rest or can become a vampire. Corpses seeing themselves in mirrors will also draw bad luck upon the household. In some cultural beliefs, where corpses are laid out in homes, people still believe that souls linger about the body until burial.

Another folk belief is if a person sees his or her own reflection in a room where someone has died, it is an omen of their own death. Mirrors also should be covered in sick rooms in the belief that when the soul is weakened it is more vulnerable to possession during illness.

In other folklore, mirrors are believed to reflect the soul and must be guarded lest the soul be lost. These fears carry over into superstitious customs, such as covering the mirrors in a house after death to prevent the souls of the living from being carried off by the ghost of the newly departed through a mirror.

In some Russian folklore, mirrors are considered the invention of the Devil because they have the power to draw souls from bodies. Similarly, mirrors and in some places of the world all shiny surfaces, must be covered in a house after a death to prevent the soul of the living from being carried off by the ghost of the newly dead. Mirrors are covered in case one sees the corpse looking over one’s shoulder.

In an old Persian spell, ghosts may be seen in a mirror by standing in front of it and combing the hair without thinking, speaking or moving.

In then folklore of the American Ozark, the appearance of a distant friend in a mirror means he or she will soon die.

The famous folklore that breaking a mirror means seven years of bad luck but also heralds a death in the family or household. For example, if a child breaks a mirror, one of the children in the house will die within the year.

If a home is plagued with unpleasant spirit activity, the mirror in the bedrooms should never be placed at the foot or head of a bed. To do is is considered a negative influence for a person to be able to see himself or herself from any angle in a mirror while in bed. Mirrors should also never reflect into each other as this creates an unstable psychic space. A folk remedy says a mirror should be placed so that it faces outward toward a door or window. The reasoning being when the unquiet spirit looks in a window or attempts to cross a door threshold, it will see its own reflection and be scared away. Mirrors can also be closed as portals by rubbing the edges of them or washing the surfaces in holy water.

Mirrors are also tools used in Divination and Magic. In divination, mirrors train the inner eye to perceive the unseen. Throughout history, mirror gazing has been used for prophecy, aid with healing, find lost objects and people and even to identify or find thieves and criminals.

The power of mirrors—or any reflective surface—to reveal what is hidden has been used since ancient times. Gazing upon any shining surface is one of the oldest forms of Scrying (a method of divination practiced by the early Egyptians, Arabs, the Magi of Persia, Greeks, and Romans). Magic mirrors are mentioned by numerous ancient authors, among them Apuleius, Saint Augustine, Pausanias, and Spartianus. According to Pausanias, divination for healing was best done with a mirror attached to a string . The string was dangled into water and the diviner ascertained whether or not a sick person would heal.

In ancient Greece, the witches of Thessaly reputedly wrote their oracles in human blood upon mirrors. Pythagoras was said to have a magic mirror that he held up to the Moon to see the future in it. Romans skilled in mirror reading were called specularii.

In the late Middle Ages, Catherine de Medicis reputedly had a magic mirror that enabled her to see the future for herself and for France. Pére Cotton, the confessor to King Henri IV of France, had a magic mirror that revealed to him any plots against the king.

In Christian folklore, mirrors enable demons to make themselves known. St. Patrick declared that Christians who said they could see Demons in mirrors would be expelled from the church until they repented.

In Vodoun, a magical mirror is called a minore. A minore is made of highly polished metal and is consecrated for the purpose of seeing visions in divination. Only a priest or priestess may use a minore.

For Magic, both flat mirrors and concave mirrors are used in magic. Other shiny and reflective surfaces work as well like crystal balls, good size crystals and bowls of water or ink. Franz Bardon taught precise instructions for making magical mirrors that would be “loaded” or empowered with the help of the elements, the Akasha, light and fluid condensers. The result of such a charged magic mirror should be stored wrapped in silk to protect its energies from contamination.

Mirrors are also used in Scrying which is accomplished by the astral and mental powers developed by the magician and not specifically the mirror. The mirror serves only as an aid for focusing such powers.

Visualising a person in a magical mirror enables contact. The scryer can then go to the astral plane to communicate with the dead. The living can be contacted through a mirror as well with the scryer visualizes the person intensely until they seem drawn out of the mirror.

The magic mirror can be used as a tool for investigating the past, present, and future. A mirror helps the magician transcend time to see events which is one of the most difficult aspects of mirror work.

The medieval magician Albertus Magnus recorded a formula for making a magic mirror: Buy a looking glass and inscribe upon it “S. Solam S. Tattler S. Echogordner Gematur.” Next, bury it at a Crossroads during an uneven hour and on the third day, go to the spot at the same hour and dig it up—but do not be the first person to gaze into the mirror. In fact, said magnus, it is best to let a dog or a cat take the first look.

The Aztecs used a mirror like surfaces to keep witches away. A bowl of water with a knife in it was placed in the entrances of homes. A witch looking into it would see her soul pierced by the knife and flee.

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The Bloody Chamber

Publisher’s Description

From familiar fairy tales and legends – Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves – Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.


Review

I read the classic The Bloody Chamber and Other Tales by UK author Angela Carter as part of a gothic literature course.

Carter retells many classic fairytales that the world knows from childhood or from wider readying. She tears away the layers of subtle coverings that have always made these tales feel slightly comforting but not quite innocent. The thrilling and horrific feminist retelling of Bluebead in “The Bloody Chamber”, the sometimes scary, mournful and honest retelling of Beauty and the Beast in “The Courtship of Mr Lyon” and the unique, sexually subversive retelling “Puss-in-boots” were just some of the unique tales transformed and transported in time and place but the true honesty of the darkness within the real fairytales is retained.

Final Thoughts

This gothic retelling of classic fairytales from Bluebeard, Beauty and the Beast, Puss in Boots and others was revolutionary for a feminist twist to some stories but also a brutal, horrific and sexually subversive culture to many of the tales. It is the classic fairytales reimagined in an adult world of their original settings with the veneer of sweetness torn away. Brilliant and terrifying. I thoroughly enjoyed and recommend it.

Conclusion

This is a classic for readers of fairytales – both retellings and reimagining. Carter tells these tales in a new and unique way which is horrific, honest and amazing. Highly recommend read.

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Sabella

Publisher’s Description

On the rosy sands of a distant Earth colony, Sabella lives a quiet life in her isolated home—carefully hiding her vampirism from society.

Sabella may not be undead, but she is painfully allergic to sunlight, possesses supernatural strength and speed, and feeds on fresh blood. In her youth, Sabella seduced a number of men, killing them all for fear of discovery. But with age comes control, and Sabella has sworn off of drinking human blood.

After four years of staying clean, Sabella receives an invitation to her Aunt Cassi’s funeral—along with several thousand credits to ensure she attends the reading of the will. But when Sabella arrives at the funeral, she discovers that the funds were a ruse. Before her death, Cassi—a devout Christian Revivalist—discovered the truth about Sabella and tasked her manservant, John Trim, to hunt Sabella down. Trim hires private investigator Sand Vincent to get close to Sabella and suss out the truth.

But Sand is only human—and Sabella anything but. As Sand becomes enthralled by Sabella’s charm, Sabella must combat her own instincts to keep him alive—and society’s suspicions away.


Review

I read the gothic space opera Sabella by UK author Tanith Lee as part of a gothic literature course.

Sabella lives an isolated life in a house just before the true wilderness of canyons, deer and wolves take control. It is literally the end of the road. Sabella is a vampire and her isolated life is self-chosen because of her inability not to kill her lovers..

The death of her aunt and the formal request of her presence at the reading of the will is requested and orchestrated by her aunt who hated her. Reluctantly, Sabella attends only to receive a paltry sum of money and a curse. Aside from the cursed cabinet which Sabells leaves behind, she is followed by Sand – a man she met on the space ship who is fascinated and intoxicated by her.

Sabella engages in a sexual relationship with Sand but can’t control her feeding. As true as any curse, she kills Sand and within days his brother Jaice appears looking for him. Jaice is bold, brutal and unrelenting. When Sabella escapes him and the darker urges of her hunger and feeding become insatiable, she loses control. It is Jace who rescues her from herself.

Jace also reveals the stranger secret that bind them from investigations of an underground tomb for the original inhabitants of Neo Mars. It is that secret which Sabella and Jaice share their vampiric natures.

Final Thoughts

Sabella was a truly thought-provoking read which beyond the science-fiction and horror, dealt with the core of human natures and the sexual deviancy that is so commonplace in the gothic literature. It is skilfully written, unique and blazing characters.

Conclusion

Sabella was a great read. A blend of science fiction, horror and fantasy into a gothic masterpiece. A perfect read for lovers of the gothic, bizarre, a well-written story and a new take on the vampire tale.

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1920s Gothic Horror

My current work-in-progress is a gothic horror set in the infamous 1920s Razor Gang era in Sydney, Australia.

Some background on the Razor Gangs of Sydney. The more well-known lawless crime eras of Birmingham, Glasgow and New York had their own gangs and warfare on the streets.

In Australia, it was cities of Melbourne and Sydney that were rife with crime gangs controlling brothels, the ‘sly-grog’ of Prohibition Depression, illegal drugs and police bribery. From the 1920s to the 1940s, Sydney’s harbour-side streets were ruled by two women and their gangs: Tilly Devine and Kate Leigh. Both had their seperate illegal business focuses and things ran smoothly enough until members of the gangs started a bloody war with their weapon of choice: the easily come-by straight razor from any barber shop.

In the years of World War I and World War II saw many immigrants and refugees from war-torn Europe, the multicultural nature of Australian population swelled and my project imagines the supernatural beings that would have fled Europe amid the flow of mortal immigrants.