One of my projects I’m working on at the moment is a reimagining the Norse Myths and involving my favourite Trickster folklore. I’m focusing on the god Loki and the events recounted in the myths leading up to Ragnarok.
I’m also fascinated by the roles of Odín and his selection of the best warriors fallen on the battlefield and how Freyja, goddess of desire takes the other half the best fallen warriors and is a leader of the Valkyries.
My love of Trickster folklore and legends includes one of my favourite Australian Trickster figures, Crow. Together with Loki, there’s a new story added to those known in the Norse myths.
In remaining ragnarok in a new way, I’ve ncorporated Icelandic and Australian-esque natural landscapes to create a new version of a mythos of ice and fire with tales from the Australian Alps to the desert heart.
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss. You’ve heard this before, haven’t you? The handsome prince. The happily ever after. Utter nonsense.Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world. Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
Malice follows the protagonist Alyce, one of the Briar kingdom’s Graces- mortals born with weak Fae heritage with blood able to produce eilixrs. The other Graces have golden blood which bestows beauty, charm and wit. Alyce, or the ‘Dark Grace’ as she is known, is part-Vila, one of the Dark-Fae and her green blood reviled for bestowing curses not charms. Yet, like all the Graces, Alyce is unable to leave the Kingdom of Briar – bound to serve in Grace Household and earnings leveraged to the Briar crown.
In the Kingdom of Briar, Alyce is despised for being part-Vila, the Dark Fae who were too powerful for the Light Fae Etherians to destroy until they allied with the mortals. The alliance forged between the Etherians and the Queens of Briar resulted in the establishment of Briar. In Briar, Alyce is considered a symbol of past hatred and fear. Only the heir to the Briar crown, princess Aurora finds companionship and understanding with Alyce. All heirs to the Briar throne bear the curse from a powerful a Vila to die before their twenty-first birthday if the curse isn’t broken by their true love. Despite this history, an unlikely relationship is forged between Alyce and Aurora. But Alyce has kept her secrets from Aurora when she allies with a mysterious prisoner from the destroyed Vila kingdom with promises to unlock Alyce‘s true power.
Malice was an exciting read, a unique twist on the Sleeping Beauty fairytale that was both satisfying as an epic fantasy in its own right, an queer romance, and a fairytale retelling. It was the combination of these aspects which made Malice something more than a genderbent version of a fairytale – it made it a reworking of a classic into an epic fantasy in its own right. Expertly done.
A highly recommended retelling of the Sleeping Beauty fairytale. A unique epic fantasy that will satisfy readers of fairytale retellings, dark fantasy, queer romance and truly excellent worldbuilding. A great read!
THE FIRST DAUGHTER IS FOR THE THRONE. THE SECOND DAUGHTER IS FOR THE WOLF.
As the only Second Daughter born in centuries, Red has one purpose – to be sacrificed to the Wolf in the Wood in order to save her kingdom. Red is almost relieved to go. Plagued by a dangerous power she can’t control, at least she knows that in the Wilderwood, she can’t hurt those she loves. Again.
But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn’t learn how to use it, the Wilderwood – and her world – will be lost forever.
I read the exciting first volume in a new epic fantasy series, For the Wolf(The Wilderwood, #1) by US author Hannah Whitten. Compared to Uprooted and The Bear and the Nightingale, this is a new dark fantasy world, haunting in its exploration of fairytales and folklore.
For the Wolf follows protagonist Redarys, second daughter to the throne and born to be sacrificed to the legendary wolf monster of the Wilderwood. Her twin sister, Neve, first daughter to the throne is born to rule the kingdom. While Redarys (Red) accepts her fate, Neve tries everything to prevent her from entering the Wilderwood. Neve sees the sacrifice as futile, the wolf not seen in generations nor the five kings returned that he purportedly imprisoned and in doing so, created the Wilderwood. Each sacrifice of a second daughter ensures the monsters of the Wilderwood stay within the wood’s boundaries and the continued fortune of the kingdoms.
Once the Wilderwood, Red flees tangled branches that reach for her and trees desiring her blood. She finds neither the monstrous wolf, nor the five kings imprisoned by him. Instead, Red survives the Wilderwood and discovers a crumbling castle shrouded by forest, untouched by the rot growing through most of the Wilderwood. There she meets the tired defender of the Wilderwood; Eammon, the legendary Wolf of the Wilderwood.
For the Wolf was a lush and dark reimagining of fairytales ‘Red Riding Hood’, ‘Beauty and the Beast’, ‘Snow White, Rose Red’. The folklore of the Greenman was explored in the finale’s battle between giant deities. A dark fantasy, fairytale reimagining, folklore-infused, romance that was a refreshing read.
For the Wolf is a highly recommended read. Those readers of dark fantasy, fairytale reimagining, slow-burn romances and blending of genres will love this book. A great read!
The Isle of Skye is rich in fairy lore. One of the most magical-looking is the miniature landscape of grassy, cone-shaped hills and whimsical rock spirals of Fairy Glen.
There is no documented folklore linking the landscape to the realm of myth, and there have been no actual sightings of fairies, Fairy Glen is rich in folklore. You can easily imagine the the fairy folk in this landscape.
There is another explanation for the rock formations found at Fairy Glen. The geological formations are the result of a landslip, triggered by volcanic activity on northern edge of the Isle of Skye about 60 million years ago. The resultant lava flow that would have covered northern Skye was 1,200m thick.
To many, this otherworldly landscape was created by the fairies. There’s belief the fairies still live here, hiding in the crevices…Remember it’s important to leave Fairy Glen as you found it: the fairies are watching you.
According to English folklore, Bluebells were often used to call fairies…If you “rang” a bluebell like you would any normal bell, it was believed fairies would come to you. But fairies are notoriously dangerous bargainers and the need to call fairies for aid must be great to risk the summons.
There is another folklore that states if you hear a bluebell ring, somebody close to you will die. Bluebells growing en masse in a field were best avoided.
An orphan bent on revenge. A monster searching for freedom. A forbidden pact that binds their fates together.
Lyss has heard her father’s screams; smelled the iron-tang of his blood. She witnessed his execution. And plotted her revenge.
Then a violent encounter traps Lyss in a blood-pact with a rarkyn from the Otherworld and imbues her with the monster’s forbidden magic. A magic that will erode her sanity. To break the pact, she and the rarkyn must journey to the heart of the Empire. All that stands in their way are the mountains and the Empire’s soldiers—and each other.
But horrors await them on the road- horrors even rarkyns fear.
The most terrifying monster isn’t the one Lyss travels with…
It’s the one that’s awoken inside her.
Monsters of a feather flock together.
*** I received an ARC and I’m leaving a voluntary review ***
The Rarkyn’s Familiar follows the protagonist Lyss, an orphan apprentice in a camp of lowly trained mancers. When hunting with two brothers from the camp, they come across a landslide in the mountain roads. A partially destroyed cart contains one of the kingdom’s most feared creatures trapped within a cage. A rarkyn. In a series of well-intended gestures, the three release the powerful sigils on the chains and free the rarkyn but not before it bonds itself as a familiar to Lyss.
Now bonded as familiars, Lyss and the rarkyn have a short amount of time to find someone in the capital capable of breaking their bond before the overwhelming magic of the rarkyn drives Lyss insane. Hunted by the Order mancers, soldiers and the rarkyn’s last captor, Lyss’s magic grows more powerful the more time she spends bonded to the rarkyn but so does her own dark potential. Time is running out for Lyss and the rarkyn if they want to survive the binding.
The Rarkyn’s Familiar is an engaging debut novel exploring a unique concept of familiar bonding; where a human becomes bonded to a fantastical creature. This adds a refreshing aspect to the storyline and complex world building that feels genuine for these characters and histories. The is a truly worthwhile read from a new voice in epic fantasy.
A great read for anyone seeking a unique from a debut author and a well-crafted epic fantasy. Highly recommended!
*** I received a review or ARC in exchange for an honest review ***
This is an enchanting illustrated book of fairy tales – but not the kind you read to children at bedtime. They are strictly for the grown-ups. Often dark, the stories visit places where things don’t end happily ever after, where a single decision can haunt you forever. But there are also tales to make you laugh out loud, stories of sweet revenge and scenes of sheer delight in the world of magic and the fey.
All the stories, lyrics and poems have something in common, a contemporary edge. Even those set in earlier times have a modern sensibility that reflects the 21st century and celebrates Australian landscapes, characters and voices.
South of the Sun contains many great fairytales and retellings. These are some of my favourites. “GPS” by Cate Kennedy is a retelling akin to ‘Little Red Riding Hood’ but with a chilling modern take. “The Timbers of a Chicken” by Rebecca-Anne C. Do Rozario reminiscent of tales of Baba Yaga. “The Snow-Gum Maiden” by Anezka Sero was an Australian interpretation of the classic Northern European ‘Snow Maiden’ fairytale. “On Pepper Creek” by Kathleen Jennings was an Irish immigrant tale. “The Karukayan Get Revenge” by Ronnie Wavehill was an indigenous tale of Australian merfolk. “All Kinds of Fur” by Danielle Wood is a dark retelling of Australian colonial times. “Riverbend” by Rachel Nightingale is a uniquely Australian fairytale of drought, modern science and magic. “The Tale of the Seven Magpies” by Angie Rega is a retelling of the Crow fairytale trope, cursed brothers and the sister sewing shirts for her brothers.
South of the Sun is a unique collection of fairytale retellings infused with the multicultural nature of Australia. The anthology contains retellings from Germanic, African and Eastern Europe cultures as well as uniquely Australian takes on classic fairytales.
A wonderful collection of Australian fairytale retellings with beautiful illustrations. Highly recommended for readers of folklore, fairytales and retellings. A must read!