Bones (Five Hundred Fiction Series, #4) is a an occult, voodoo themed anthology, features my own flash fiction story “The Bones of a Dead God”, inspired by Aztec history, ritual and archaeology. You can read more about the research behind my story here.
More details on how to purchase ebook, paperback or hardback copies of Bones (Five Hundred Fiction #4) can be found here.
“It’s a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents…
Here you’ll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world – expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic.”
I recently read Cursed: An Anthology collection of dark fantasy tales inspired by fairytales featuring authors Christina Henry, Jen Williams, Neil Gaiman, Angela Slatter, and Catriona Ward, among others.
Three original contemporary dark fantasy stories were real stand-outs. The story “The Troll Bridge” by Neil Gaiman was a new take on body-snatchers, the fairytale variants of a troll challenging three brothers, but here, three versions of the same man throughout his life. “New Wine” by Angela Slatter was an original dark tale with aspects from Bluebeard and stepmother fairytale themes and even a darker take on Cinderella. “At That Age” by Catriona Ward is a dark fiction exploration of Changeling folklore, with some aspects from the Hansel and Gretel fairytale.
Two original dark fantasy stories set mythic realms were of real note. Christina Henry’s “As Red as Blood, As White as Snow” was blend of the Snow White, Rose Red and Bluebeard fairytales which was dark and lavishly written. “Listen” by Jen Williams was a fantastic exploration of the Red Shoes fairytale and folklore of the Scandinavian Necker and the Forest wild gods.
Cursed: An Anthology is a unique collection exactly as promised: a weaving of old and new to create original tales inspired by curse folklore. The combination of Dark fantasy and contemporary fantasy tales was a great balance and also highlighted the way fairytale themes are incorporated into many aspects of speculative fiction.
Cursed: An Anthology is wonderful collection that spans Dark fantasy and contemporary fantasy with original tales inspired by cursed folklore and fairytales. Recommended read for those who love Dark fantasy and how original stories continue to find inspiration from these classic fairytales. A lavish, and dark read!
One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.
In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.
I am pleased to announce Over the Rainbow: An LGBTQ+ Fairytale Charity Anthology published by Black Ink Fiction was released on 1 June, 2021.
Over the Rainbow anthology is in support of The Trevor Project, a collection of fairytale retellings with a LGBTQI+ protagonist, featuring my story “The Queen of Crows”, a retelling of a French Gascony fairytale. You can read more about my research for the story here.
More details on how to purchase an ebook, or paperback copies of Over the Rainbow can be found here.
“Two decades into an eternal sentence in the impenetrable Void for daring to rebel against the might of the Empire, and Agent Ivory is ready to give up on life entirely, even if the unseen Warden of the prison won’t ever let him die.
But when a mysterious voice in the darkness visits him in his isolation, the prisoner is determined to see the sun on his face once again, even if the outside world is not what it once was…”
I recently read Whispers in the Dark by Australian author K.B. Elijah, a novella blending science-fiction and dark fiction.
The protagonist, Agent Ivory, has been imprisoned in an inescapable cell, his body held in stasis where he cannot die nor have hope of escape nor rescue. From these bleak beginnings, it is the promise of hope that proves the greatest torment to Agent Ivory. Despite the improbable, Agent Ivory escapes the prison known as the Void, aided by the whispering voice only he seems to hear. Guided on his escape, Ivory cannot shake his paranoid thoughts of pursuit, of hope dashed should he fail to escape and seek revenge for his imprisonment. It is this dark offering which the Void failed to crush, the promise of hope that will prove to be Agent Ivory’s greatest weapon or failure.
Whispers in the Dark was an intriguing psychological story combining elements of science fiction and dark fiction, exploring the strongest emotion in the darkness, is always hope.
A great novella from a new voice in Australasian speculative fiction. Recommended for those who enjoy a psychological read, literary tale where dark fiction blends into science fiction.
I am pleased to announce the release on May 20th, 2021 of children’s and young adult fantasy anthology Candy Capers from Raven and Drake Publishing. This fantastic confectionery themed anthology is in aid of The Brain Tumour Charity and for readers aged 6 and up.
I am thrilled my children’s flash fiction ‘Grace’s Kingdom’ is included in this anthology.
You can find more details on Candy Capers and how to purchase ebook and paperback copies here.
Angrboda’s story begins where most witches’ tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.
Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.
With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family…or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.
Angraboda is the name chosen by the witch Gullveig after she is burned three times and pierced through the heart with a spear after meeting with Odin, leader of the Aesir gods. Angraboda refuses to teach Odin sedir, the prophetic form of magic and in retaliation, Odin burns her three times from which she returns to life each time.
After fleeing the Aesir and taking refuge in the Iron Wood, Angraboda has only shadowy memory of her life as Gullveig and names herself Angraboda “the bringer of sorrow” in place of her previous name. She is soon visited by the Trickster Loki, who is also Odin’s brother (by bond but not by blood). Loki recovers Angraboda’s heart and enjoys her company. Keeping their friendship a secret from the gods and giants, it soon becomes much more. Although Loki asks Angraboda to be his wife, their relationship must stay a secret for Loki is later married to an Aesir goddess Sigyn, further binding him to Odin and the Aesir gods.
It is the three children from Angraboda and Loki’s union that proves to be the catalyst for their relationship and for the future of the Nine Worlds. Angraboda has three children with Loki, each more monstrous than the first. Their half-dead daughter Hel, son Frenrir in wolf form and Jorumungand, a sea serpent. But it is not just the strange children born from the union of two unusually powerful giants that causes Odin concern, but the prophecy Angraboda has of her children destroying the Aesir gods and bringing about the end of the Nine Worlds.
Odin desires the knowledge of Angraboda’s prophecy concerning the fate of the Nine Worlds in a hope to prevent the outcome and save himself and his children. Odin’s desire comes at the price of Loki’s freedom and Angraboda’s children who the Aesir cannot allow to fulfil their role in the end of the Nine Worlds, the great battle Ragnarok. So begins Angraboda’s struggle to preserve her family, shield them from the Aesir and survive the bitterest of betrayals. In the end, Angraboda must choose whether she wants vengeance against Odin and the Aesir, or whether she can save at least one of her children.
The Witch’s Heart is a wonderful reimagining of the Norse myths from the perspective of one of the least well-known figures, the witch Angraboda. In many of the myths, Angraboda is mentioned only in passing as the wife of Loki and mother of the giant wolf Fenrir, guardian of the dead, Hel, and the giant serpent, Jorumangand. The mother of three monsters who are prophesied to kill the gods, Angraboda is a mysterious figure, a witch who dwells in the Iron Wood. The Witch’s Heart also examines another female figure in Norse mythology, the witch Gullveig who Odin and the Aesir burn three times and pierce her heart with a spear when she refuses to submit to Odin. A clever story that combines two important and mysterious figures in Norse mythology, Gullveig and Angraboda, giving substance to both in Gornichec’s reimagined Angraboda.
A highly recommended read for those who enjoyed the reimagining of the half-Titan witch Circe by Madeline Miller, those who enjoy stories with strong female protagonists or for readers who want a fresh reimagining of Norse mythology.
I recently wrote my first flash fiction piece for children and young adult readers. This was a challenge for me with my usual writing themes exploring the darker side of fiction and best suited to adult readers.
In writing my flash fiction piece, I drew on some of the most influential children’s fiction to develop my own story, one that had deep roots in my personal experiences and one I hoped would resonate with children experiencing bullying and coping with being different. In telling this story, I wanted to channel the reality of these extremely difficult daily experiences and also to show how being different is a hidden strength.
Some of my inspiration for my own story was was Alice in Wonderland, The Secret Garden, The Chronicles of Narnia. These classic children’s fiction all feature protagonists exploring magical worlds hidden to all but them while escaping a harsher reality that exists beyond the borders of the their fantasy world.
I am pleased to announce the release of New Tales of Old, Volume 1 from Raven & Drake Publishing on 30th April, 2021. This anthology of short stories is inspired by fairytales and legends, reimagining with a twist. Two of my short stories are featured, “A Trail of Corpselights” inspired by Hansel and Gretel fairy tale, (you can read more here ) and “The Dark Harpist” a dark fantasy reimagining of the Pied Piper fairy tale, (more details here).
If you are interested in purchasing an ebook or paperback copy of New Tales of Old, Volume 1, more details can be found here.