events, Short Fiction, Writing

Bloodlust Anthology Release


I am excited to announce the vampire-themed anthology Bloodlust (Legends of Night Drabbles, #2) published by Black Ink Fiction was released on 13th July, 2021.

Bloodlust (Legends of Night Drabbles, #2), is a vampire-themed microfiction collection, featuring two of my 100 word drabbles “The Hungering” and “The Burial” both inspired by vampiric folklore, legends and archaeology. You can read more about the research behind these drabbles here.

More details on how to purchase ebook or paperback copies of Bloodlust (Legends of Night Drabbles, #2) can be found here.

events, Short Fiction, Writing

Bones Anthology Release


I am excited to announce the supernatural anthology Bones (Five Hundred Fiction Series, #4) published by Black Hare Press was released on 29th June, 2021.

Bones (Five Hundred Fiction Series, #4) is a an occult, voodoo themed anthology, features my own flash fiction story “The Bones of a Dead God”, inspired by Aztec history, ritual and archaeology. You can read more about the research behind my story here.

More details on how to purchase ebook, paperback or hardback copies of Bones (Five Hundred Fiction #4) can be found here.

events, Short Fiction, Writing

Infection Anthology Release


I am excited to announce the zombie-themed anthology Infection (Legends of Night Drabbles, #1) published by Black Ink Fiction was released on 29th June, 2021.

Infection (Legends of Night Drabbles, #1), is a zombie-themed microfiction collection, featuring my own 100 word drabble “The Revenants”, inspired by witchcraft and revenant folklore. You can read more about the research behind this drabble here.

More details on how to purchase ebook or paperback copies of Infection (Legends of Night Drabbles, #1) can be found here.

reads, Recent Reads

Cursed: An Anthology

Publisher’s Description:

“It’s a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents…

Here you’ll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world – expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic.”


My Review:

I recently read Cursed: An Anthology collection of dark fantasy tales inspired by fairytales featuring authors Christina Henry, Jen Williams, Neil Gaiman, Angela Slatter, and Catriona Ward, among others.

Three original contemporary dark fantasy stories were real stand-outs. The story “The Troll Bridge” by Neil Gaiman was a new take on body-snatchers, the fairytale variants of a troll challenging three brothers, but here, three versions of the same man throughout his life. “New Wine” by Angela Slatter was an original dark tale with aspects from Bluebeard and stepmother fairytale themes and even a darker take on Cinderella. “At That Age” by Catriona Ward is a dark fiction exploration of Changeling folklore, with some aspects from the Hansel and Gretel fairytale.

Two original dark fantasy stories set mythic realms were of real note. Christina Henry’s “As Red as Blood, As White as Snow” was blend of the Snow White, Rose Red and Bluebeard fairytales which was dark and lavishly written. “Listen” by Jen Williams was a fantastic exploration of the Red Shoes fairytale and folklore of the Scandinavian Necker and the Forest wild gods.

Final Thoughts

Cursed: An Anthology is a unique collection exactly as promised: a weaving of old and new to create original tales inspired by curse folklore. The combination of Dark fantasy and contemporary fantasy tales was a great balance and also highlighted the way fairytale themes are incorporated into many aspects of speculative fiction.

Conclusion

Cursed: An Anthology is wonderful collection that spans Dark fantasy and contemporary fantasy with original tales inspired by cursed folklore and fairytales. Recommended read for those who love Dark fantasy and how original stories continue to find inspiration from these classic fairytales. A lavish, and dark read!

Short Fiction, stories

Forthcoming: Gothic Legends Anthology

I am pleased to announce my short story “The Dark Horseman” will feature in forthcoming horror anthology Legends of Night to be published by Black Ink Fiction.

You can read more about the research behind the legend, folklore and history of the Dullahan, or the Irish headless horseman, here.

More details on preorder links, and how to purchase copies of Legends of Night coming soon!

research, Short Fiction, stories

The Irish Headless Horseman

I have always been fascinated by the folklore of the headless horseman. I first became aware of this harbinger of death in the famous story by Washington Irving The Legend of Sleepy Hollow set in rural region in the state of New York. But the Irish legend of the Dullahan (“dark man”), the headless horseman is a harbinger of death. In the legend of the Dullahan, he carries a moldy severed head under his arm, taking a blood sacrifice (and the head) of his intended victim. According to folklore of the Dullahan, he only speaks once during his furious ride through village and field, and those words are only for his victim, the sacrifice.

The connection between the headless horseman and sacrifice is related to Celtic mythology and the ancient god, Crom Dubh, a fertility god to whom blood sacrifices were made. In county Cavan, the Killycluggin stone is believed to be an ancient representation of Crom Dubh, and like the Dullahan of legend travelling the roads, the large carved stone was found on a main road close to a nearby Bronze Age stone circle.

I was inspired by the Dullahan, this embodiment of Crom Dubh, and in writing a short story, I’ve incorporated these elements of folklore, legend, archaeology and mythology to weave a new tale of this infamous headless horseman.

Short Fiction, stories

Reimagining Arabian Nights

One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.

In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.

reads, Recent Reads

In Solitude’s Shadow

Publisher’s Description

“An army is at the gates of Haltveldt, a nation built on war, and nothing is as it seems.

Calene Alpenwood, a powerful warrior-mage gifted with the Spark, makes a shocking discovery that sets into motion events that put her at odds with the very masters she serves. Reuniting with her mother Zanna, a woman banished after a terrible crime, they team up with unlikely alias as they attempt to save the fortress of Solitude from destruction.

One thing’s for certain; ruin approaches if Solitude falls and life will never be the same when The Banished return.”


My Review:

I recently read In Solitude’s Shadow (Empire of Ruin, #1), the first fantasy novella by UK author David Green. I received an advanced reader copy in return for an honest review.

In Solitude’s Shadow follows four main characters in a kingdom divided by war and class, where the race of elves are treated as a lesser race of beings by the ruling and more numerous human lords. In this culturally hostile kingdom, the dwindling numbers of Sparkers, warriors and philosophers with a telepathic link among other talents, hold the mountain fortress of Solitude. Beyond the fortress of Solitude, the growing armies and numbers of the Banished bids their time to attack when human and eleven armies are at their most divided.

My Thoughts:

The premise of In Solitude’s Shadow is a tradition fantasy backdrop of a land at war, a disunited army that is fighting among itself, and a common enemy with the potential to threaten both. The threat of the Banished, returning from beyond the mountain fortress of Solitude may sound familiar. There are strong similarities with the basic premise of A Game of Thrones, itself based on older historical sags which provides strong-foundations. In Solitude’s Shadow, the limitations of a novella are more pronounced, where four main characters in the story arc and world-building can result in “info-dump” tactics at times rather than being incorporated into the storytelling which can feel overwhelming in the novella format.

Conclusion:

In Solitude’s Shadow is an ambitious novella, and the fantasy series promises to be just as ambitious. Recommended for those seeking traditional fantasy in a short-read novella format.

Short Fiction, Writing

Reimagining Red Riding Hood


Recently I have been exploring the concepts behind the Red Riding Hood fairytale. There are two main versions I have used as inspiration for writing a new short story. The version by Charles Perrault called “Little Red Riding Hood” and the version by Jacob and Wilhelm Grimm called “Little Red Cap”. Both examine a young girl who is travelling through the woods and meets a charming stranger who tries to lead her astray. Both versions also share a dark undertone, the stranger portrayed as menacing despite his charming words.

When writing my short story, I wanted to delve into the concept of the forest as a dangerous place, sinister and treacherous for those uninitiated. In my recent reimagining of the red riding hood tale, I’ve included the concept of an unwary youth and the historical setting of pre-Napoleonic France. I’ve included some more modern interpretations like the werewolf folklore of the French “loup-garou” and explored sensitives around homosexuality, the sheltered son of a Marquis seduced by an eloquent nobleman. Here, the passage between innocence and experience of the adult world is represented by the transference of the werewolf curse. This was a complex story to write, delving some darker elements, both historical and modern sensitivities of seduction, society and acceptance of LGBTQI individuals throughout history and still today.