Writing, Long Fiction

Dark Fantasy & Climate Change

I am in the final stages of editing my draft dark fantasy novel inspired by North American and Canadian First Nations legends and environment and the influence of developing climate change.

In a fantasy world where the gods, mortals and paranormal beings are dependent on the environment for stability and existence, the threat of a dark shaman destroying the land as his power grows is too much for the gods to remain omnipotent. In the involvement with the mortal realms, the balance of the Land shifts dangerously and the environment begins to suffer, fade and die.

The following images are inspirational only and are not intended to represent any specific character but inspire an internal concept.

Long Fiction, Writing

Reimagining Norse Myths

One of my projects I’m working on at the moment is a reimagining the Norse Myths and involving my favourite Trickster folklore. I’m focusing on the god Loki and the events recounted in the myths leading up to Ragnarok.

I’m also fascinated by the roles of Odín and his selection of the best warriors fallen on the battlefield and how Freyja, goddess of desire takes the other half the best fallen warriors and is a leader of the Valkyries.

My love of Trickster folklore and legends includes one of my favourite Australian Trickster figures, Crow. Together with Loki, there’s a new story added to those known in the Norse myths.

In remaining ragnarok in a new way, I’ve ncorporated Icelandic and Australian-esque natural landscapes to create a new version of a mythos of ice and fire with tales from the Australian Alps to the desert heart.

research, Writing

The Skogsrå

The skogsrå is one of the important genii loci, the spirit of the Forest from Scandinavia. She will appear to hunters mostly but also to some travellers through the forests of her domain.

The Skogsra is often described as human-like being, but with something uncanny about her. She’s often very beautiful but will have a tail or a back formed like a (rotten) tree trunk. The first morph (a tree trunk back) is common in Denmark, mid- and southern Sweden, but the tail is common in western and northern Sweden and Norway. Normally, the Skogsra has a a cow’s tail, but she can sometimes have a fox tail.

The Skogsra sometimes doesn’t appear to forest travellers as a young woman, but as an old and ugly hag. But these appearances are quite rare.

The Skogsra often approaches and tries to seduce men by various ways.

In folklore material, two types of men were most often approached by the Skogsra – charcoal-burners and hunters. Both of these groups of men were alone in the forest for long periods at a time.

In exchange for sexual encounters, a man might actually became her lover and the Skogsra could help him and grant rewards – like making sure his rifle never missed, and waking him if the charcoal stack was about to burn down. Both these are blessings made possible by the Skogsra and when the men are within her forest.

References

https://folklorethursday.com/folktales/skogsra-and-huldra-the-femme-fatale-of-the-scandinavian-forests/

research

Isle of Skye: Fairy Glen

The Isle of Skye is rich in fairy lore. One of the most magical-looking is the miniature landscape of grassy, cone-shaped hills and whimsical rock spirals of Fairy Glen.

There is no documented folklore linking the landscape to the realm of myth, and there have been no actual sightings of fairies, Fairy Glen is rich in folklore. You can easily imagine the the fairy folk in this landscape.

There is another explanation for the rock formations found at Fairy Glen. The geological formations are the result of a landslip, triggered by volcanic activity on northern edge of the Isle of Skye about 60 million years ago. The resultant lava flow that would have covered northern Skye was 1,200m thick.

To many, this otherworldly landscape was created by the fairies. There’s belief the fairies still live here, hiding in the crevices…Remember it’s important to leave Fairy Glen as you found it: the fairies are watching you.

Short Fiction, Writing

Reimagining Red Riding Hood


Recently I have been exploring the concepts behind the Red Riding Hood fairytale. There are two main versions I have used as inspiration for writing a new short story. The version by Charles Perrault called “Little Red Riding Hood” and the version by Jacob and Wilhelm Grimm called “Little Red Cap”. Both examine a young girl who is travelling through the woods and meets a charming stranger who tries to lead her astray. Both versions also share a dark undertone, the stranger portrayed as menacing despite his charming words.

When writing my short story, I wanted to delve into the concept of the forest as a dangerous place, sinister and treacherous for those uninitiated. In my recent reimagining of the red riding hood tale, I’ve included the concept of an unwary youth and the historical setting of pre-Napoleonic France. I’ve included some more modern interpretations like the werewolf folklore of the French “loup-garou” and explored sensitives around homosexuality, the sheltered son of a Marquis seduced by an eloquent nobleman. Here, the passage between innocence and experience of the adult world is represented by the transference of the werewolf curse. This was a complex story to write, delving some darker elements, both historical and modern sensitivities of seduction, society and acceptance of LGBTQI individuals throughout history and still today.

research

Folklore of Bluebells

The feared fairy bell and impending death


According to English folklore, Bluebells were often used to call fairies…If you “rang” a bluebell like you would any normal bell, it was believed fairies would come to you. But fairies are notoriously dangerous bargainers and the need to call fairies for aid must be great to risk the summons.

There is another folklore that states if you hear a bluebell ring, somebody close to you will die. Bluebells growing en masse in a field were best avoided.

research, Short Fiction, stories

Dark Christmas Lore


Christmas is a time for celebration and family gatherings, right? Strictly speaking, yes. But there are darker lores beneath the celebration many of us enjoy each year. The folklore surrounding the Krampus and even Saint Nicholas and the Butcher are grisly territory.

When I travelled to Iceland in 2019 for research, I found a very different set of folklores related to Christmas and the span of Yuletide. The folklore of thirteen Yule trolls who terrorise and disrupt Icelandic life for thirteen days is eclipsed by the arrival of their mother, the cannibalistic troll-witch Gryla who steals away children to cook into stew for her large family in their mountain cave.

Fascinated by this dark and fable-like warning of the dangers around Yuletide in Iceland, I was inspired to write a short story featuring Gryla and the Yule trolls, focusing on the darker natures the Yule trolls reportedly once possessed before modern sanctification of their images.

research, Short Fiction, Writing

Inuit legend of the Qallupilluk

I am always fascinated by First Nations legends and lore. One of my current research projects has focused on the Inuit legends of the Qallupilluk, monstrous female beings who lurk in the frozen waterways and beneath the ice sheets, snatching unwary children beneath the icy water.

My latest short story examines this legend from the perspective of an outsider, someone who is not of the Inuit, and to whom the legends are foreign, placing her and her child at risk.

research, Short Fiction

Ancient Egyptian Myth & War

In one of my latest research themes, I explored the Ancient Egyptian mythology surrounding Sekhmet, the lion-headed goddess of war and a daughter of Ra. In one myth, Ra is angered by the Egyptian people’s lack of subservience to him and sends Sekhmet as punishment. She devours the armies sent against her until the deserts run with blood, so strong in her lust for war. Sekhmet is finally subdued by wine poured over the bloody sand until her wrath is calmed.

I was inspired by the war goddess Sekhmet when writing a new microfiction which focuses on Sekhmet as a force, her bloodlust fuelling the rise of war in Ancient Egypt.

Short Fiction, stories

Reimagining Arabian Nights

One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.

In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.