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Anoka

Publisher’s Description

Welcome to Anoka, Minnesota, a small city just outside of the Twin Cities dubbed “The Halloween Capital of the World” since 1937. Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives. With his debut horror collection, Cheyenne and Arapaho author Shane Hawk explores themes of family, grief, loneliness, and identity through the lens of indigenous life.


Summary

I was recently recommended to read Anoka: A Collection of Indigenous Horror from US author Shane Hawk.

While it is hard to choose favourites from this collection which spans so many real-world themes, societal marginalisation, stigma and indigenous horror themes, there were several stories that really resonated with me.

The opening story ‘Soilborne’ was dark tale that really plunged its claws into me. ‘Wounded’ was a journey into the darkness of a mind and family. ‘Transfigured’ was a striking Halloween story that proved the perfect ending to this collection of the dark, haunting and macabre.

Review

Anoka was a fantastic collection of indigenous horror where Hawk delivered a host of genuine characters, masterful storytelling and a series of dark, weird and haunting horror in a well-written psychological horror collection.

Conclusion

Highly recommended read for fans of horror, dark fiction and psychological horror. A must read!


** This is my personal opinion and does not reflect any judging decisions **

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Don’t Fear the Reaper

Publisher’s Description

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.


Summary

I’ve recently read Don’t Fear the Reaper (Indian Lake Trilogy, #2) the sequel to My Heart is a Chainsaw by US Horror author Stephen Graham Jones.

Don’t Fear the Reaper returns us to the town of Proofrock and to the protagonist Jade Daniel’s – four years after court trials – she’s changed a lot and finally cleared of the crimes from the Fourth of July Massacre. In the minds of some Proofrock residents, she’s still to blame for the Fourth of July Massacre. Others still, wait for the return of Indian ghost witch, Stacey Graves. But Jade is fairly certain that venegful ghost is finally in her watery grave. She hopes.

Proofrock is gripped in the worst ice storm of a century. The FBI have been busy trying to convict a Native American serial killer by returning to the scenes of his crimes across many states hoping for bodies of the victims still missing. But Dark Mill South has other plans. Once the FBI are inevitably caught in the snowstorm, he makes his escape and heads for…Proofrock. The body count starts piling up quickly and soon Jade and a few former school survivors of the Fourth July Massacre begin to wonder just how many killings are due to Dark Mill South or is someone else taking advantage of his presence?

Review

Graham-Jones writes a compelling and more rigorous sequel as though he’s found his ground, the audience are running with him as we’re led through the icy killing grounds of Proofrock once more. The pace is fast, the killer (or killers) are quick and cunning. Graham-Jones writes a brilliant crime story as well as a horror-infused homage to the slasher form. A steadily building pace is jerked into rapid action with a few gruesome but effective splashes of violence. Graham-Jones is a master of keeping the equilibrium perfectly poised.

Conclusion

A thrilling and suspenseful homage to the slasher genre with genuine characters and masterfully written. Great for fans of dark fiction, horror, slashers, suspense, mystery and thrillers. A highly recommended read!!


** This is my personal opinion and does not reflect any judging decisions **

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Inuit Folklore: The Amikuk

The Amikuk is a monster from Inuit legend that is as deadly on land as it is in the water. They possess a deep hatred for al humans and actively hunt for kayakers in the open waters off the Alaskan coast.

The Amikuk are often described as extremely long but almost human-like in shape. They are covered in thick, slimy dark skin that has the appearance of old leather and long, wide-set, spindly arms with fingers that taper off into sharp points. They’re often seen with two legs but have – on occasion – been seen to have four.

While in the water, the Amikuk is constantly hunting for passing kayaks. It presses itself up against floating sea ice and waits – perfectly still – until the ideal time to attack. Once a victim paddles close enough to the waiting Amikuk, it pushes off the sea ice and positions itself beneath the kayak. Without warning the monster pushes its long arms and legs out from the water to wrap tightly about the vessel before pulling it under the water. Once beneath the water, the Amikuk tries to drown the human kayaker.

Even though the Amikuk is extremely deadly it doesn’t always kill its victim after pulling them into the water. Sometimes people were able to swim back to the sea ice before the Amikuk disengages it’s spindly limbs from the kayak. Even is they escape the Amikuk’s grasp it possesses the ability to burrow into both earth and ice follow, unresting and unrelenting until the person is finally caught by it.

The Amikuk produces a thumping noise moving through the earth that echoes from the main tunnel and into the surrounding area. The vibrations caused by its movement are said to be strong enough to freeze a fleeing victim in their tracks and allows it enough time to burst through the ground/ice below and kill the human above.

While a majority of the legends about the Amikuk depict it as being nothing more than a deadly monster, other legends talk of it being magical as well.

In one story, the Amikuk is said to create a bird-like nest which it protects with extreme devotion even though it contains no eggs or young but a few scraps of magical fur or animal hide. If a human manages to steal the Amikuk’s nest, the scraps of fur inside are able to repair anything broken. It was also believed the furs were capable of creating great riches from nowhere if the nest remains in the possession of the one who stole it.

Another legend of the Amikuk tells of it being able to shape shift into an almost human form. While in this form, it must pull a sled and can only walk in a straight line. If a human were to see an approaching Amikuk in this form, they can sit directly in its path. Since it must only walk in a straight line, it won’t be able to avoid the sitting person and begins to panic. While in this panicked state, the Amikuk offers a gift in order to get the sitter to move, but the sitter shouldn’t accept it. The refusal of the offering causes the Amikuk to become desperate and it will offer a better gift each time the sitter refuses until the final and most valuable gift is offered. On acceptance of this offer, the sitter will move and be extremely wealthy and the Amikuk can continue on its way.

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The Hunger of the Gods

*** I received an ARC in return for an honest review ***

Publisher’s Description

Lik-Rifa, the dragon god of legend, has been freed from her eternal prison. Now she plots a new age of blood and conquest.

As Orka continues the hunt for her missing son, the Bloodsworn sweep south in a desperate race to save one of their own – and Varg takes the first steps on the path of vengeance.

Elvar has sworn to fulfil her blood oath and rescue a prisoner from the clutches of Lik-Rifa and her dragonborn followers, but first she must persuade the Battle-Grim to follow her.

Yet even the might of the Bloodsworn and Battle-Grim cannot stand alone against a dragon god.

Their hope lies within the mad writings of a chained god. A book of forbidden magic with the power to raise the wolf god Ulfrir from the dead . . . and bring about a battle that will shake the foundations of the earth.


Review

I recently read the dark fantasy The Hunger of the Gods (The Bloodsworn Saga, #2) by UK author John Gwynne.

The Hunger of the Gods follows directly from the The Shadow of the Gods with the imprisoned dragon-god Lika-Rifa freed by Queen Hekla and her dragon-born warriors – with the Tainted children made thralls and sworn to serve Lik-Rifa.

Bloodsworn and Tainted warrior Orka continues her hunt for Queen Hekla and vengeance for stealing her Tainted son Breca. But Orka has the blood of the wolf-god Ulfrir in her veins and aided by vessen monsters. She is formidable and ferocious when the wolf-blood overwhelms her.

Elevar of the Battle-grim warriors aims to fulfil the blood-oath to find another stolen Tainted child. But to battle Queen Hekla, her dragon-born warriors and the dragon-god Lik-Rifa, Elvar makes a thrall of a winged-god and using mad writings of Lik-Rifa, she raises Ulfrir the wolf-god from his bones and the winged thrall Skuld forges a collar for Elvar to make a thrall of Ulfrir. That accomplished, Elvar and her Battle-grim warriors follow after Lik-Rifa and wait for Ulfrir to regain his legendary strength before the battle which could remake or unmake the world.

Final Thoughts

The Hunger of the Gods continues the epic dark fantasy where Gwynne’s talent for reimagining Norse mythology and world-building is compelling.

Conclusion

A good sequel in the Bloodsworn Saga. An enjoyable dark fantasy of Norse-inspired sagas and mythology with extensive world-building and strong, well-defined characters. A recommended read!

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The Shadow of the Gods

Publisher’s Description

THE GREATEST SAGAS ARE WRITTEN IN BLOOD. 

A century has passed since the gods fought and drove themselves to extinction. Now only their bones remain, promising great power to those brave enough to seek them out.

As whispers of war echo across the land of Vigrio, fate follows in the footsteps of three warriors: a huntress on a dangerous quest, a noblewoman pursuing battle fame, and a thrall seeking vengeance among the mercenaries known as the Bloodsworn.

All three will shape the fate of the world as it once more falls under the shadow of the gods.


Review

I read The Shadow of the Gods (The Bloodsworn Saga, #1) by UK author John Gwynne.

The Shadow of the Gods follows three main characters: Orka a Bloodsworn warrior and Ulfir Tainted mother seeking her stolen Tainted son Brecca. Elvar from the Battle-Grim warriors on a quest for battle fame. The thrall Varg seeking vengeance. In this world where the old gods fought and died, their bones hold immense power for those brave and strong enough to seek them out through lands where monsters now roam.

Queen Hekla of the Raven-feeders is determined to free and the old dragon god Lik-Rifa from her imprisonment in a chamber beneath the earth and to whom the Dragon-born like Queen Hekla are sworn to serve and follow. But the magic required to free Lik-Rifa uses the blood of the Tainted (those sharing bloodlines of the dead gods). Tainted children were the easiest to make thralls of and steal away so their blood can be used to free Lik-Rifa.

The final battle will see fame found, saga tales returned the land fall as warriors seek power with the death of their enemies.

Final Thoughts

The Shadow of the Gods is a unique reimagining of Norse mythology with extensive world-building and strong, well-developed characters. The battle scenes are visceral and can be at times, gratuitous. The female characters are strong and independent which was pleasant to find in a dark fantasy.

Conclusion

A reimagining of Norse mythology with extensive world-building. A great read for those who enjoy dark fantasy, mythology and Norse-inspired fantasy. A recommended read!

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Black Cranes

*** I received a free copy in return for an honest review ****

Publisher’s Description

Almond-eyed celestial, the filial daughter, the perfect wife.

Quiet, submissive, demure.

In Black Cranes, Southeast Asian writers of horror both embrace and reject these traditional roles in a unique collection of stories which dissect their experiences of ‘otherness,’ be it in the colour of their skin, the angle of their cheekbones, the things they dare to write, or the places they have made for themselves in the world. Black Cranes is a dark and intimate exploration of what it is to be a perpetual outsider.


Review

I was thrilled to read and review Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn.

This is a beautiful and rare collection of speculative fiction tales from women of southeast Asian descent writing about the culture where women are supposed to be quiet, unheard and remain in the shadows. Black Cranes brings these voices, cultures, folklores and legends into the open and shines a light on the powerful women of Southeast Asia.

Final Thoughts

There are so many different and wonderful tales in Black Cranes that I found it difficult to choose my stand-out favourites.

Some of my favourite stories were “The Genetic Alchemist’s;s Daughter” by Elaine Cuyegkeng, , “Kapre: a love Story”, by Ron Cupeco, “Vanilla Rice”, and “Little Worm” by Geneve Flynn.

Conclusion

An absolutely stunning, beautiful and powerful collection of tales about women emerging from the shadows of their cultures. A simply stunning collection!

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The Kishi

The Kishi by TheRafaArts

The Kimbundu people of Angola believe in a fast and agile vampiric demon named the. Kishi. Its true form has two heads appearing as a hyena with large teeth and powerful jaws on one side, a human face on the other .

It can shape-shift into a man and in that guise impregnate a woman. After she gives birth to its child, the kishi kills her and takes the offspring to raise in its home beneath the sea where the child becomes cannibalistic like its father.

The Kishi in human form is a preternaturally handsome man with a deep, piercing stare. The second head grows from the back of his skull which is the snarling face of a hyena.

A Kishi is a lesser form of rakshasa. They are deemed lesser in relative power and magical prowess – not in the ability harm others or inflict harm on communities. A Kishi can’t truly shapeshift with its animalistic features always present in the grotesque hyena face growing from the back of the head.

Kishis are very persuasive which helps entice others into doing evil deeds. Their handsome human face and charming words are boosted by a magical persuasion to weaken the will of a target or simply by looking upon them. Those that refuse to be seduced or corrupted are attacked. The kishi can quickly turn its head 180 degrees and unleash the bestial hyena aspect. If the victim attacked is killed, the corpse is usually left out in the open and partially eaten to spread terror.

Most Kishi live alone but move from village to village so the ruin thru have created doesn’t fall suspect that n them.

Although not compelled to kill, they find pleasure from it and prefer the flesh of humans to those of other creatures. If rare occasions when multiple Kishis cooperate together, they may pose as a gang of thieves, mercenaries or prostitutes or other socially low groups. Each Kishi in such a pack often try to gain leverage over the other in the hope of reincarnating sooner into a more powerful Rakshasa form.

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The Roggenmuhme

German folklore

Seeing parts of a rye crop suddenly move is according to old German folklore, not caused by the wind or animals, but by the Roggenmuhme, a witch-like monster who resides within rye fields. Literally translated, the name means ‘rye mother’.

Like many folklore and fairytales, it originated as a cautionary tale to discourage children from doing something they should not. In this case, playing often damaged the crops which affected the farmer’s harvest and livelihood).

According to folklore, the Roggenmuhme snatches kids and takes them away – never seen again. These monsters are also known to grab strands of rye and curse it, turning it black and poisonous (in reality, this is due to infection of the Claviceps purpurea parasitic fungus).

The Roggenmuhume wasn’t all bad: her blessing increased the fertility of the crops and improved the harvest. As such, some farmers would leave a section of the rye unharvested as a gift or offering to the her – a way to increase the harvest of the next year by pleasing her. She is also associated in some parts with rainfall (Regenmuhume – ‘rain mother’) and in pleasing her with offerings, a farmer could increase the chance of rainfall on his farm.

When those individuals did fight off the Roggenmuhume it was difficult. Her physical touch can inflict death or disease in her victims. In the Netherlands, she is also known as the ‘korenmoeder’ or ‘roggemoeder’. Dutch and Flemish folklore appear to have a male variant of the story, too. This creature is called the ‘korenpater’ or ‘rye priest’ and would take naughty children with him if they wandered through rye fields – never to be seen again.

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Into the Forest

Publisher’s Description

Deep in the dark forest, in a cottage that spins on birds’ legs behind a fence topped with human skulls, lives the Baba Yaga. A guardian of the water of life, she lives with her sisters and takes to the skies in a giant mortar and pestle, creating tempests as she goes. Those who come across the Baba Yaga may find help, or hindrance, or horror. She is wild, she is woman, she is witch – and these are her tales.


Review

I was determined to read Bram Stoker Preliminary ballot anthology edited by US author Lindy Ryan. Into the Forest is an anthology of stories and poetry about the fascinating figure of the Russian witch, Baba Yaga.

There were many brilliant stories in this anthology but to highlight a few favourites. “Last Tour into the Hungering Moonlight” by Gwendolyn Kiste , “Water like Broken Glass” by Carina Bissett, “Herald the Knight” by Mercedes M. Yardley and “Mama Yaga” by Christina Sng.

Final Thoughts

Into the Forest is a unique anthology drawing on the masterful skills of many authors and their interpretations of the multitude of Baba Yaga legends. A beautiful collection spanning time, history, cultures and styles.

Conclusion

Highly recommended for fans of folklore, fairy tales, fantasy and mythology. This anthology has it all and so much more. Definitely worth a read!

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Conflux 16 2022 Convention

A very late post on the October 2022 Conflux 16 Speculative Fiction Convention held in Canberra. Aside from being an invited panelist for 4 seperate panels, I ran my first Dealers Table for the four days and officially launched Bluebells.

I was also an invited panellist on 4 panels – each exciting to engage with an audience and discuss the theme in question with other likeminded writers.

“Queering Fiction” was a wonderful discussion about how authors create characters with a LGBTQI identity – or how authors like Sam Hawke create an entire world where sexuality is fluid and accepted.

“Re-imagining Horror in a Pandemic” was a great lineup of panelists discussing how the pandemic affected them as writers but also how the wider public changed perceptions and fear became a driver of society. For horror writers, fear is the driver of a story. Many ideas were exchanged on whether horror writing would become more or less popular and certainly Fantasy seemed to be the main genre read during pandemic lockdowns.

“Including Disability in Fiction” was such an important panel that like the queer community, characters with disabilities are often absent, stereotyped or in the background of a storyline. This panel explored what writers living with disabilities experience and want to see more of in fiction and from their own writing.

“Climate Change: Past and Future” was a fascinating panel exploring the emergence and importance of climate fiction in publishing scene. Discussions ranged from the emergence of man-induced climate change to the reality of how climate change is affecting everyday existence and how that has seen the explosion of dystopian fiction. An important comment by Cat Sparks was that perhaps we should be focusing in our writing of turning the current climate crisis around and sending a message of hope in doing so.

The last event was a live 5 minute reading session with Kaaron Warren. I read an excerpt from Bluebells when Peter first meets Nicolas de Laon on the frontlines in Belgium.