Included in 666 is my own dark fiction “The Gallows Dancers” inspired by the gothic folklore of the hangman and hanging trees.
Included in Reign is my own dark fantasy flash fiction “Poisoned Fruit, Poisoned Reign” inspired by the folklore of curses and poisoned apples. You can read more about the research behind my flash fiction here.
Christmas is a time for celebration and family gatherings, right? Strictly speaking, yes. But there are darker lores beneath the celebration many of us enjoy each year. The folklore surrounding the Krampus and even Saint Nicholas and the Butcher are grisly territory.
When I travelled to Iceland in 2019 for research, I found a very different set of folklores related to Christmas and the span of Yuletide. The folklore of thirteen Yule trolls who terrorise and disrupt Icelandic life for thirteen days is eclipsed by the arrival of their mother, the cannibalistic troll-witch Gryla who steals away children to cook into stew for her large family in their mountain cave.
Fascinated by this dark and fable-like warning of the dangers around Yuletide in Iceland, I was inspired to write a short story featuring Gryla and the Yule trolls, focusing on the darker natures the Yule trolls reportedly once possessed before modern sanctification of their images.
You can find out more about Haunt (Five Hundred Fiction, #6) and where to purchase ebook and paperback copies here.
Pleased to announce that Stories of Survival published by Deadset Press was released on 21 August, 2021. This speculative fiction charity anthology is in honour of Australian speculative fiction writer and mentor to many, the late Aiki Flinthart, with all proceeds going to the Melanoma Foundation to help with the fight against cancer.
This anthology includes many wonderful stories from Australian and New Zealand speculative fiction authors. Featuring my own Fae-inspired short story “Three Tasks for the Sidhe”, you can read more about the research behind the story here.
More details on how to purchase ebook or paperback copies of Stories of Survival can be found here.
Summer Terrors features my two dark tales of macabre Australian summer with the grisly “Summer at the Beach” and, inspiration from Namorroddos, terrifying winged vampire beings from Australian Aboriginal lore in “Summer Moon, Leather Wings.”
You can find more details on how to purchase Summer Terrors as an ebook or paperback copy here.
I am pleased to announce my short story “The Dark Horseman” will feature in forthcoming horror anthology Legends of Night to be published by Black Ink Fiction.
You can read more about the research behind the legend, folklore and history of the Dullahan, or the Irish headless horseman, here.
More details on preorder links, and how to purchase copies of Legends of Night coming soon!
I have always been fascinated by the folklore of the headless horseman. I first became aware of this harbinger of death in the famous story by Washington Irving The Legend of Sleepy Hollow set in rural region in the state of New York. But the Irish legend of the Dullahan (“dark man”), the headless horseman is a harbinger of death. In the legend of the Dullahan, he carries a moldy severed head under his arm, taking a blood sacrifice (and the head) of his intended victim. According to folklore of the Dullahan, he only speaks once during his furious ride through village and field, and those words are only for his victim, the sacrifice.
The connection between the headless horseman and sacrifice is related to Celtic mythology and the ancient god, Crom Dubh, a fertility god to whom blood sacrifices were made. In county Cavan, the Killycluggin stone is believed to be an ancient representation of Crom Dubh, and like the Dullahan of legend travelling the roads, the large carved stone was found on a main road close to a nearby Bronze Age stone circle.
I was inspired by the Dullahan, this embodiment of Crom Dubh, and in writing a short story, I’ve incorporated these elements of folklore, legend, archaeology and mythology to weave a new tale of this infamous headless horseman.
One of my recent short stories, a work-in-progress, was a reimagining of a tale recounted in the classic rendition, The Arabian Nights translated by Sir Richard Burton. The volume, also known as One Thousand and One Nights follows the sultana Scheherazade who cunningly begins a tale each night, never finishing it until the next, to prevent jealous and murderous husband from killing her, and ensuring her survival.
In developing an original tale inspired by The Arabian Nights story “The Story of Prince Ahmed and the Fairy Peri Banu”, I also incorporated inspiration from the fourteenth century Iberian Moorish kingdom, the Nasrid caliphate in Granada, Andalusia. In Persian folklore, the peri were diminutive brilliantly coloured winged-beings, a race that were seperate and as powerful as Jinn and Ifriit, and hunted by both. These rare fairy-like beings are the focus of my reimagined and original tale.
I recently finished writing a flash fiction story inspired by European Neolithic stone circles and folklore. Common to the folklore of standing stones is an aspect of temporal planes, the shifting of time connecting the Fae to disappearances, madness and re-appearances many years later. In my own short fiction, a liminal temporal plane joins Europe in the 1940s to the Neolithic connected by the standing stones. I explored the effects of warfare on the European landscape where in the present day, traces of that destruction are still in evidence from trench warfare tactics. I was interested in accidental time travel where folklore often links the unintended passage of mortals into the fairy realm often at heightened emotional or astronomical times. The story focused on fleeing pursuit through an unrecognisable landscape scarred by war, the liminal connection between times linked by the standing stones allowing a successful escape into the Neolithic and the newly constructed stone circle.