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Leprechaun Folklore

The stereotype of the leprechaun is of lucky charms and pots of gold at the end of a rainbow. But leprechauns are members of the Fairy folk, a type of sidhe and are unusual because leprechauns are almost exclusively always male.

The name leprechaun derives from the Gaelic leith brog “one shoemaker.” The leprechaun is a cobbler and while the other sidhe dance and revel, he is always hard at work. He is depicted wearing one shoe rather than a pair – which may also be a shamanic reference. (References to shoes, especially only one shoe are often oblique references to shamanism. Ancient shamanic dances often performed with one shoe on and one shoe off). The leprechaun works on shoes constantly with time off only for an occasional spree. He is fabulously wealthy but buries his treasure in pots underground. He is a skillful but not always pleasant practical joker. The leprechaun may be invoked for financial aid.

Leprechauns are often compared to clurichauns. Because like leprechauns, clurichauns are often exclusively male. The clurichaun could be the nocturnal form of the leprechaun out after a hard day’s work.

Alternatively, some perceive clurichauns to be leprechauns lacking work ethic. Unlike hardworking, wealth-accumulating leprechauns, clurichauns spend all their time drinking. They are often drunk but retain their good manners unlike the surly leprechaun. Clurichauns come out at night to drink, party and play pranks on people (for example, raiding the pantry).

The only occupation for which the clurichaun displays enthusiasm is as a guardian of liquor cellars. The clurichaun will protect your cellar from thieves and prevent wine from spoiling and bottles from breaking or leaking. Simply request his presence and leave him a sample of whatever you have in stock. Leave such offerings on a regular basis lest he decide to begin serving himself.

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The Hunger of the Gods

*** I received an ARC in return for an honest review ***

Publisher’s Description

Lik-Rifa, the dragon god of legend, has been freed from her eternal prison. Now she plots a new age of blood and conquest.

As Orka continues the hunt for her missing son, the Bloodsworn sweep south in a desperate race to save one of their own – and Varg takes the first steps on the path of vengeance.

Elvar has sworn to fulfil her blood oath and rescue a prisoner from the clutches of Lik-Rifa and her dragonborn followers, but first she must persuade the Battle-Grim to follow her.

Yet even the might of the Bloodsworn and Battle-Grim cannot stand alone against a dragon god.

Their hope lies within the mad writings of a chained god. A book of forbidden magic with the power to raise the wolf god Ulfrir from the dead . . . and bring about a battle that will shake the foundations of the earth.


Review

I recently read the dark fantasy The Hunger of the Gods (The Bloodsworn Saga, #2) by UK author John Gwynne.

The Hunger of the Gods follows directly from the The Shadow of the Gods with the imprisoned dragon-god Lika-Rifa freed by Queen Hekla and her dragon-born warriors – with the Tainted children made thralls and sworn to serve Lik-Rifa.

Bloodsworn and Tainted warrior Orka continues her hunt for Queen Hekla and vengeance for stealing her Tainted son Breca. But Orka has the blood of the wolf-god Ulfrir in her veins and aided by vessen monsters. She is formidable and ferocious when the wolf-blood overwhelms her.

Elevar of the Battle-grim warriors aims to fulfil the blood-oath to find another stolen Tainted child. But to battle Queen Hekla, her dragon-born warriors and the dragon-god Lik-Rifa, Elvar makes a thrall of a winged-god and using mad writings of Lik-Rifa, she raises Ulfrir the wolf-god from his bones and the winged thrall Skuld forges a collar for Elvar to make a thrall of Ulfrir. That accomplished, Elvar and her Battle-grim warriors follow after Lik-Rifa and wait for Ulfrir to regain his legendary strength before the battle which could remake or unmake the world.

Final Thoughts

The Hunger of the Gods continues the epic dark fantasy where Gwynne’s talent for reimagining Norse mythology and world-building is compelling.

Conclusion

A good sequel in the Bloodsworn Saga. An enjoyable dark fantasy of Norse-inspired sagas and mythology with extensive world-building and strong, well-defined characters. A recommended read!

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Freyja: Norse Mythology

Freya (Old Norse Freyja, “Lady”) is one of the preeminent goddesses in Norse mythology. She’s a member of the Vanir tribe of deities, but became a member of the Aesir gods after the Aesir-Vanir War. Her brother Freyr also became a member of the Aesir.

Freyja is the Norse goddess of love, fertility, beauty and fine material possessions. She is passionate and thrill-seeking and is often a “wild spirit” among the Aesir. Contrastingly, Freyja is also the archetype of the völva, a practitioner of seidr, a form of Norse magic and divination. It was Freyja who first taught the sedir to Odin, and eventually human witches learned the practice to. Her power over desire and prosperity, her knowledge and power are almost without equal – except Odin.

Freyja presides over the afterlife realm Folkvangr where she chooses half of the warriors slain in battle who dwell in her Hall, while Odin takes the first half of fallen warriors to dwell in Valhalla with him. Her role as battle leader and followed by the band of Valkyries who help decide the fates of men in battle.

Seidr is a form of pre-Christian Norse magic and shamanism that involves discerning the course of fate and working to bring about change – often by symbolically weaving new events into being. This power is incredibly useful in bringing about changes in human life.

In the Viking Age, the völva was an itinerant seeress and sorceress who traveled from town to town performing commissioned acts of seidr in exchange for lodging, food, and often other forms of compensation including clothing or anything she might need. Like other northern Eurasian shamans, her social status was highly ambiguous – she was exalted, needed, feared and scorned.

Freyja’s role amongst the gods is stated in the Ynglinga Saga with indirect hints elsewhere in the Eddas and sagas. In one tale, Freyja possesses falcon plumed cloak that allows the wearer to shift their shape into that of a falcon.

In the Germanic “politico-theological conception” based on the mythological model provided by the divine pair Frija and Woðanaz – deities who later became linked as Freyja/Frigg and Odin. In this Germanic concept, Woðanaz is the warband’s chieftain and Frija is its veleda (völva).

While late Old Norse literary sources form the basis of current knowledge of pre-Christian Germanic religions portray Freya and Frigg as being -at least nominally- distinct goddesses but the similarities between them run deep. Their differences are superficial and can potentially be explained by the Norse and Germanic tribes sharing close trade and marriage ties with Freya and Frigg split sometime before the conversion of Iceland to Christianity (around the year 1000 CE).

Freyja and Frigg are similarly accused of infidelity to their (similar) husbands. Alongside several mentions of free Freyja’s sexual practices in the Lokasenna and the Ynglinga Saga, Odin was once exiled from Asgard with his brothers Vili and Ve left in command. The two brothers apparently slept regularly with Frigg until Odin’s return. Many scholars have tried to differentiate between Freyja and Frigg by asserting that the former is more promiscuous and less steadfast than the latter.

Frigg is depicted as a völva herself. Once again in Lokasenna, after Loki slanders Frigg for her infidelity, Freyja warns him that Frigg knows the fate of all beings – a threat to perform seidr. Frigg’s weaving activities are likely an allusion to this role as well as the Norns are known to weave the fate of gods and men.

The name Freyja translates to “Lady” which is a title rather than a true name. In the Viking Age, Scandinavian and Icelandic wealthy women were sometimes called freyjur, the plural of freyja. The name “Frigg” means “beloved.” Frigg’s name therefore links her to love and desire which are areas that Freyja presides. Both goddesses fulfil the roles of the other: Frigg’s name is similar to the Freyja’s attributes.

Freyja’s most famous possession is her necklace the Brisingr forged by the dwarfs. While in the underground kingdom of the dwarfs, Freyja saw them create a necklace and she asked the dwarfs to give it to her. They refused at first but eventually gave it to her and the influence of her sexuality. Brisingr was once stolen by Loki but recovered by the god Heimdallr.

Freyja also has two large grey cats assumed to be lynxes which pull her chariot. Her role as the goddess of fertility is also shared with her brother Freyr and their shared close connection to the earth and the prosperity of crops. Her seemingly dual role as a battle goddess places her at the axes of life and death.

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Ryujin: Japanese Folklore

In Japanese mythology, thousands of dragons exist. All of them have three common characteristics: three claws on each leg, a mustache and a sacred pearl that is called the “dragon pearl”. The magic of the dragons come from these jewels.

It is from this jewel that the magic of these dragons comes. The greatest of these dragons is Ryujin, the God of the Seas. Curiously, he is also considered a demon or Yokai.

Ryujin resides in a palace and has a love of letters and a keeper of many secrets. His magic is so great that he is worshipped by thousands of Shintoists.

The Imperial Palace of the Sea Dragon King

Ryujin lives in a luxurious palace submerged under the sea called “Ryūgū-jō.” It is made of red and white coral as well as precious stones. This large mansion has a very special power: it changes the perception of time. A century in the earthly world is equivalent to only a day in the Kingdom. The palace has four entrances and each one symbolises the four seasons.

Ryujin’s Magical Powers

The magic pearl that Ryujin holds gives him certain powers. Like all dragons, he is able to breathe fire but his abilities also include transformation into any shape he wants. He can even perfectly adopt a human form. He has total control over the oceans and can unleash dangerous tsunamis or terrible storms if he wishes. All marine species are also under his control with Sea turtles delivering his messages, fish and jellyfish are his faithful servants. Fishermen regularly try to appease him through offerings hoping for calm seas.

Shinto Belief: Faith Of The Dragon God

Within Shintoism, there is a doctrine called Ryūjin shinkō. These believers worship dragons and they name the divine creatures “water kami.” They pray for agricultural success as well as success for the fishermen. The sea was very important for the Japanese people of the Middle Ages and of antiquity and island lifestyles meant the inhabitants survived mainly by fishing. Thus, Ryujin, the great king of the seas is their most important deity.

Many Shinto shrines are dedicated specifically to Ryujin with the most famous in Osaka called the Daikai Jinja.

The Empress Jinga and the Jewels Of Ryujin

Ryujin’s sacred mission is to protect Japan. He uses his powers to help the Japanese imperial family. In the context of war, the Japanese empress had to fight a fierce Korean fleet and so the sea dragon offered his powerful assistance.

When the battle began, all the water disappeared leaving the Korean fleet of boats stuck. They changed tactics and launched the infantry. But at that moment, the water reappeared and caused the death of the Empresses’ enemies with the aid of Ryujin.

Urashima Tarō and the Magic Pearl Of Immortality

A fisherman named Urashima Tarō witnesses children torturing a helpless fish. He comes to its aid and releases it back into the ocean. He lived a quiet life until a huge turtle asked him to climb on its back. The turtle took the fisherman to the great kingdom of the sea dragon where Ryujin intends to reward his good deed.

The fish he had saved was not just a common fish. It was Ryujin’s daughter who had transformed herself into a fish. For seven days, Urashima Tarō was welcome in the sea dragon’s palace.

When it was time for him to leave, Ryujin’s daughter gave him a generous gift – a small box containing a pearl of immortality. It can allow him to fulfill all his wishes but for the pearl to work, the box must never be opened.

The seven days in Ryujin’s palace was 700 years on earth. When Urashima Tarō returned it was to discover that 700 years had passed. He took advantage of the pearl to live in luxury but never let the pearl corrupt his altruistic nature. As soon as he returned to earth, he offered his wealth to all the villagers. But the people forced their way through his door to take the magic box. Once they’d stolen it, they rushed to open it. All the power permanently escaped leaving its owner to succumb to age. In punishment of this cowardly act, Ryujin deprived the villagers of water and everyone in the village perished.

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Black Cranes

*** I received a free copy in return for an honest review ****

Publisher’s Description

Almond-eyed celestial, the filial daughter, the perfect wife.

Quiet, submissive, demure.

In Black Cranes, Southeast Asian writers of horror both embrace and reject these traditional roles in a unique collection of stories which dissect their experiences of ‘otherness,’ be it in the colour of their skin, the angle of their cheekbones, the things they dare to write, or the places they have made for themselves in the world. Black Cranes is a dark and intimate exploration of what it is to be a perpetual outsider.


Review

I was thrilled to read and review Black Cranes: Tales of Unquiet Women edited by Lee Murray and Geneve Flynn.

This is a beautiful and rare collection of speculative fiction tales from women of southeast Asian descent writing about the culture where women are supposed to be quiet, unheard and remain in the shadows. Black Cranes brings these voices, cultures, folklores and legends into the open and shines a light on the powerful women of Southeast Asia.

Final Thoughts

There are so many different and wonderful tales in Black Cranes that I found it difficult to choose my stand-out favourites.

Some of my favourite stories were “The Genetic Alchemist’s;s Daughter” by Elaine Cuyegkeng, , “Kapre: a love Story”, by Ron Cupeco, “Vanilla Rice”, and “Little Worm” by Geneve Flynn.

Conclusion

An absolutely stunning, beautiful and powerful collection of tales about women emerging from the shadows of their cultures. A simply stunning collection!

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Nona the Ninth

Publisher’s Description

Her city is under siege.

The zombies are coming back.

And all Nona wants is a birthday party.

In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona’s not like other people. Six months ago she woke up in a stranger’s body, and she’s afraid she might have to give it back.

The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever.

And each night, Nona dreams of a woman with a skull-painted face…


Review

I recently read Nona the Ninth (Locked Tomb, #3) by New Zealand author Tamsyn Muir.

Nona the Ninth follows from Harowhark the Ninth which saw both Harrow and Gideon end in dire circumstances. We now follow Nona in a child’s body but without any memory of flicker of Harrowhark inside except for her dreams with John (God). Fled to a desecrated planet on the brink of civil war, Nona is cared for by the remaining cavillers of the Nine Houses.

But as things become more complicated on the planet and necromancers made public, Nona and her ‘family‘ fight their way to a shuttle in aim of opening the Tomb and restoring Harrowhawk’s memories to Nona’s body. But opening the Tomb that must never be opened has great risks of waking its sleeping occupant and guardian.

Final Thoughts

Nona the Ninth was cleverly written, believable characters and the chaotic world. While maintaining some of the esoteric style throughout the other books, I enjoyed this almost as much as the first book.

Conclusion

Highly recommend for lovers of science fiction particularly space operas. The continuation of the Locked Tomb series is a must for anyone who enjoyed the flamboyant style of Gideon the Ninth. A must read!

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Hell Hounds

Hellhounds are demons or evil spirits that take the form of a dog.

Throughout history and in numerous cultures there are creatures known as hellhounds which appear in mythology, legend and folklore – sometimes as guardians of forbidden areas or as sinister loners that spread death and misery wherever they tread.

A Hellhound is not a demon that takes the form of a wolf – this is more accurately known as a Warg or Worg – as the two terms are likely interchangeable.

Hellhounds date back at least as far as Ancient Greece with the legend of Cerberus, the three-headed guardian of the Underworld. The fearsome beast appeared in one of Hercules’ twelve tasks and remains a popular figure in fantasy fiction.

In the British Isles, the ghostly black dogs – often of inhuman size – is an ancient and almost always warning of death. The creatures are embodied in legendary monsters like the Black Shuck which served as the inspiration for the Hounds of the Baskervilles by Arthur Conan Doyle.

Japan has stories of the shapeshifting Kitsune, which were technically foxes. Koreans had an even more evil fox-spirit known as the Kumiho, which was almost always destructive, chaotic, and evil.

The Hellhound is a supernatural dog found in folklore. There is a wide variety of ominous and supernatural dogs occurring in mythologies around the world. The hellhound commonly has black fur, glowing red, or, sometimes, yellow eyes, with super strength or speed and ghostly or phantom characteristics, a foul odour, and sometimes even the ability to talk.

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Foxglove Summer

Publisher’s Description

When two young girls go missing in rural Herefordshire, police constable and wizard-in-training Peter Grant is sent out of London to check that nothing supernatural is involved.

It’s purely routine—Nightingale, Peter’s superior, thinks he’ll be done in less than a day. But Peter’s never been one to walk away from someone in trouble, so when nothing overtly magical turns up he volunteers his services to the local police, who need all the help they can get.

But because the universe likes a joke as much as the next sadistic megalomaniac, Peter soon comes to realize that dark secrets underlie the picturesque fields and villages of the countryside and there might just be work for Britain’s most junior wizard after all.

Soon Peter’s in a vicious race against time, in a world where the boundaries between reality and fairy have never been less clear….


Review

I’ve been reading this series for years now and I absolutely love it. Foxglove Summer (Rivers of London, #5) by UK author Ben Arronavitch was as classy, funny, scary, and at times, as gory the others in the series.

Foxglove Summer follows London special branch (spooky stuff) constable Peter Grant when he’s sent out of his comfort zone and into the herodfordshire countryside. He’s there to help determine if there is any magical or unnatural forces behind the sudden disappearance of two pre-teen girls. What he finds is the country is potentially more dangerous than London and semi-visible unicorns with malicious intent are rampaging about the forests at night. Into such danger Peter Grant wades and questions begin to rise over the sudden reappearance of the girls, their odd behaviour and which one might be a fairy changeling? Or both?

Final Thoughts

Foxglove Summer was an unusual departure for Arronovitch and the Peter Grant books which has been squarely set in London. I enjoyed the new secondary characters and the involvement of the Fae in the storyline. A refreshing novel in the Rivers of London series.

Conclusion

Highly recommended for fans of urban fantasy, mystery, paranormal, alternate history, crime and dark fantasy. As always delivered with Aaronovitch’s superb craftsmanship. A great, fun read!

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Online Live Book Launch!!

Join me and author of Rarkyn’s Familiar Nikky Lee for a virtual book launch March 9th 19:30-20:30 AEDST (+11:00 UTC) for The Devil and the Loch Ard Gorge. A belated launch due to my extended illness but it’s finally time to celebrate this gothic horror novelette.

The virtual launch will be held live on Facebook and will remain available as a recording on my Facebook page. Nikky and I will discuss all things gothic horror, hauntings, traditional gothic literature and the history behind the ill-fated Loch Ard shipwreck in 1878 off the infamous southern Australian shipwreck coast.

The virtual book launch can be accessed here.

SIGNED copies of the The Devil and the Loch Ard Gorge are available for purchase via my Shop or kindle and paperback on Amazon here. SIGNED bookplates are also available from my Shop for overseas customers where postage from Australia is unfortunately prohibitive.

Hope to see you there and join the online discussion or via the discussion board!

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The Dearg-Due

The Dearg-Due means “red” in Irish but wasn’t the name of this poor girl during her life. In life, over two thousand years ago, she was a legendary beauty, with blood-red lips and pale blonde hair. Her true name has been lost to the ages, overshadowed instead by the thing she became. Men travelled from far and wide, and even from rival clans across the land, to just to look upon her, but also to try to win her hand in marriage. Despite her outward loveliness, she was Godly and kind, and a blessing to all who knew her.

Fatefully, she fell in love with a local peasant. His name too, has been forgotten, swallowed by the legend. He was a true match for her in all things. He was handsome and kind-hearted but lacked what meant the most to her Father: money.

Without money, there and no no status in the community there would be no security for the family. That love match wouldn’t be allowed to happen.
Instead, the Father gave his child to a vastly older, much crueler man to secure a title and a fortune for their family. While the father revelled in his newly acquired riches, he gave no thought to his daughter. She suffered daily mental and physical abuse at the hands of her new husband.. His particular pleasure was drawing blood from her – watching as the crimson welled from her soft, porcelain skin. When not being abused, she was kept locked away in a tower cell so that only her husband could see her…touch her…bleed her. And she waited, in vain, for the day that her former peasant lover would rescue her. It was a hope that kept her going for many months.

One day, she realized there was no rescue to come, no hope and nothing but the daily cruelty. She would have to saved herself. In the only way possible to her and grimmest of ways, she committed suicide by a slow, painful starvation. It’s buried in a small churchyard, near “Strongbow’s Tree,” in the County of Waterford,m in Southeast Ireland.

In the last days of her life, when the abuse had broken and twisted her kind spirit, she renounced God and vowed terrible vengeance. For the devout, souls of those who commit suicide can never rest and are doomed to walk in torment forever.

Some folklore in Ireland said if you pile stones on the graves of the newly dead it prevents them from rising again. No one piled stones on the wretched girl’s grave.
Her husband married soon after and her father, intoxicated by his new fortune was too immersed in his own greed to be bothered by his daughter’s death and attending to the grave.

She rose from her grave, filled with rage and lusting for vengeance. She went first to her fathers home. She appeared in his bedroom while he slept and killed him. She moved next to her former husband and found him in a bed with a number of women, void of any sadness or regret – clearly without remorse or regret.

She attacked and killed him then proceeded to suck the blood from his body. After drinking the blood of her evil husband, she felt invigorated and alive. This gave her a hunger for more blood that couldn’t be quenched.

The legend of the Dearg-Due or “Red Blood Sucker’ was born. She used her great beauty to lure unsuspecting young men and sank her teeth deep into their necks drinking greedily.
With each new taste for blood, she grew hungrier – feasting on the blood of as many men under the darkness of night as she could with promises of love.

Then she disappeared. What happened to her? Where did she go? Is she still out there?
folklore says the grave of the young woman can be found at a place called the Tree of Strongbow (or Strongbow’s Tree) in Waterford, Ireland.