In celebrating Women in Horror Month, I have been fortunate to be interviews by Eerie River Publishing, a small press based in Ontario, Canada specialising in horror, dark fiction and dark fantasy.
You can read the Author spotlight interview on Eerie River Publishing blog here. While you’re there, check out the other amazing women writers interviewed!
On the 20th February (21st for Australians!), I joined author chat and Q&A hosted by Michelle River at Eerie River Publishing with fellow women in horror authors Neen Cohen, Destiny Pifer, Melody E. McIntyre and CA. McDonald. A wonderful group of women authors discussing portrayal of women characters in horror, stereotypes, how women are perceived as horror writers and some of our favourite women authors (past and present). You can check out and subscribe to the YouTube channel for Eerie River Publishing for more or watch the this event now!
Pleased to announce I will be joining a wonderful lineup of authors for New Tales of Old, Volume 1 to be published in 2021 by Raven and Drake Publishing! All stories and flash fiction in this anthology were inspired by the retelling and reimagining of fairytales. My story “A Trail of Corpselights” is inspired by gothic folklore of forests and the folklore behind corpselights, also known as Will o’wisps. You can read more here. My second story included in the volume is “The Dark Harpist” a reimagining of the Pied Piper of Hameln legends and the fairytales and folklore of the singing bones and enchanted harps. You can read more about this story here.
Release dates and how to purchase a copy of the New Tales of Old, Volume 1 will be updated when available. You can also keep an eye on my publications page here.
Pleased to announce my flash fiction story “The Bones of a Dead God” will feature in Bones (Five Hundred Fiction, #4) to be published in 2021 by Black Hare Press! All flash fiction in this anthology is inspired by dark pagan themes. My story “The Bones of a Dead God” is inspired by Aztec ritual and legends.
Very pleased to announce the acceptance of two Horror microfictions into April Horrors anthology to be published by Raven and Drake Publishing. If you’re curious about the folklore I have researched for my microfiction pieces “Neropants”and “The Devl’s Fool.”, you can find out more here!
More details will follow soon on the release date for April Horrors and options to purchase ebook and paperback copies. Stay tuned!
While it’s Women in Horror Month, I’ve been researching gothic and dark folklore themes. Here’s a few of the diverse research topics I encountered including the history of witchcraft and an Icelandic folklore sure to make your skin crawl.
Witchcraft: the Devil’s Influence
Accusations of witchcraft have a long history. The era of associated with the highest prevalence of witch trials and executions was the 14th century, but before these later witch hunts of the Middle Ages, those often accused of witchcraft included midwives, healers and those dwelling on the fringe of their community, blamed for sickness, crop failure and unexpected deaths. When researching this theme, I examined the folklore of the Devil’s involvement through deliberate actions or more subtle means such as manipulation.
Necropants: Grisly Icelandic Folklore
A folklore tradition believed to be practiced in Iceland as late as the 17th century, was the gruesome lore behind necropants. A deal made with a male friend upon his death, involved flaying the skin from the waist down in a single piece and wearing the pants which adhered to the new owner. A coin stolen from a widow and a magical sigil, were inserted into the scrotum make certain the testicular sacks were always full of coins. I decided to explore this dark and grisly folklore in a mico-fiction story set during the early Viking Age.
February is Women in Horror Month! What began, and essentially still is, a movement to celebrate and highlight female creators in the horror genre. There has been a tradition of women writing horror long before Mary Shelley’s Frankenstein but female horror writers continue to remain in the shadows compared to their male counterparts.
There are many publishing events happening around the world this month. I am fortunate enough to to join an event hosted by Eerie River Publishing. There is a great schedule of Online events, blog interviews, story readings and more!
For me personally, there’ll be an upcoming author interview soon with Eerie River Publishing and I’m participating in a Live Author Chat and Q&A session on February 20th (21:00 GMT).
This paranormal anthology features my short story “Hunting Shadows”, in an eternal battle between good and evil, a poltergeist makes an unlikely union with the demon-hunting hound seeking to banish a demon from Melbourne. You can read about my research for this story here.
This dark speculative fiction anthology on the theme of greed, a desire for material wealth or gain, ignoring the realm of the spiritual. Featuring my short story “A Handful of Dead Leaves”, the darker truth of leprechaun lore and dealings with the Fae. You can also learn about my research into leprechaun folklore here.
I’ve become fascinated by the Gaslamp fantasy subgenre lately and decided to explore it a little further in another short fiction piece, this time set in an alternate Victorian-era Dublin. The Victorian era saw the expansion of the British Empire into more countries and with it, an expansion of the arts and sciences. Coinciding with the expanding interest and enlightenment of the literature and sciences, the pre-Raphaelites, the social movement of collected artists, poets and some writers inspired by a more utopian ideal that was a counterbalance to the more confining and conservative values of the Victorian era. The development of the Industrialisation and the increasing commercialism of many once-family or artisan craftsmanship was another opposing point to the pre-Raphaelite movement and desire to escape social oppression of the increasing Industrialised era. For the Sciences, the Victorian era saw an expansion of the natural and mathematical sciences which blossomed under the Enlightenment period, the challenging evolutionary theories of Darwin and the engineering developments famous under Industrialisation being just some of the social and intellectual expansions during the Victorian age. An interest in other cultures and histories also followed with the expanding British Empire bringing the cultures of the colonies into close contact with those of Britain. Archaeology became a strong interest with Ancient Egypt a particular fascination for the Victorians.
In the recent story, I have explored some of those pre-Raphaelite social movements and the Victorian conservative social values through an alternate Dublin, the social inequalities experienced by several LGBTQI characters. The Victorian interest in Ancient Egyptian archaeology and history (Egyptology) also coincided with the development of a considerable fraudulent artefact trade alongside a trade in the more genuine artefacts. Inspired by the popular ‘urban myth’ of 1922 and the curse of pharaoh Tutankhamen tomb, I incorporate the Ancient Egyptian goddess Serket, symbolised by a scorpion, her prominence in death rituals and favoured by poisoners and assassins. The Gaslamp fantasy elements in this story include a secretive Dublin magician and a death curse. It has been a delight to write and I hope to explore some more Gaslamp fantasy stories next year.